Chapters (70)
- PROLOGUE
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5. Morgan
- Chapter 6. Anna
- Chapter 7. Morgan
- Chapter 8. Anna
- Chapter 9. Morgan
- Chapter 10. Anna
- Chapter 11. Morgan
- Chapter 12. Anna
- Chapter 13. Morgan
- Chapter 14. Anna
- Chapter 15. Morgan
- Chapter 16. Anna
- Chapter 17. Morgan
- Chapter 18. Anna
- Chapter 19. Morgan
- Chapter 20. Anna
- Chapter 21. Morgan
- Chapter 22. Anna
- Chapter 23. Morgan
- Chapter 24. Anna
- Chapter 25. Morgan
- Chapter 26. Anna
- Chapter 27. Morgan
- Chapter 28. Anna
- Chapter 29. Morgan
- Chapter 30. Anna
- Chapter 31. Morgan
- Chapter 32. Anna
- Chapter 33. Morgan
- Chapter 34. Anna
- Chapter 35. Morgan
- Chapter 36. Anna
- Chapter 37. Morgan
- Chapter 38. Anna
- Chapter 39. Morgan
- Chapter 40. Anna
- Chapter 41. Morgan
- Chapter 42. Anna
- Chapter 43. Morgan
- Chapter 44. Anna
- Chapter 45. Morgan
- Chapter 46. Anna
- Chapter 47. Morgan
- Chapter 48. Anna
- Chapter 49. Morgan
- Chapter 50. Anna
- Chapter 51. Morgan
- Chapter 52. Anna
- Chapter 53. Morgan
- Chapter 54. Anna
- Chapter 55. Morgan
- Chapter 56. Anna
- Chapter 57. Morgan
- Chapter 58. Anna
- Chapter 59. Morgan
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Epilogue: Morgan
- Acknowledgements
“Soon,” I said. “I got my computer and I’m reading about restoration and … do you realize that artists really aren’t the people who do it? It’s a whole different set of skills, and—”
“What are you saying?” She frowned at me.
“That you need to be patient with me. I’ll do it, but I don’t even know how to start and—”
“You’ll have to figure that out quickly,” she said. “We have a deadline to meet.”
I set down my spoon, annoyed. “Lisa, what’s the big deal with the opening date of the gallery? So what if it opens a week late or even a month late?”
She stared at me. It was unnerving, that stare.
“Don’t you want this done right?” I asked.
Lisa leaned against the counter, her body slumped, and she suddenly looked exhausted. “I have bigger fish to fry than to argue with you about this,” she said. “I not only have the gallery to deal with, I have clients selling, clients buying, clients pretending to want to buy. The mural is all you have to deal with. That’s it. Your only responsibility. Just seven or eight weeks of your life, and then you’re a free woman with fifty thousand dollars in the bank. If it weren’t for the mural and my father you’d still be in prison, all right? So get things in perspective.”
“They have these big companies who do restoration,” I argued, unwilling to let this topic slide. “Not one lone person who has never done anything like it before. I just don’t want you to expect a perfect job when I’m working by myself, doing it for the first time, learning as I go.”
“Then do an imperfect job,” she said. “My father had to know your limitations and he still wanted you to do it. Just make it good enough to hang in the foyer. No one’s going to examine it with a fine-tooth comb. It’s not the Mona Lisa. All right?”
I worried that “imperfect” would be the kindest word anyone could find to describe my work on the mural. “Fine,” I said.
Lisa glanced at her phone. “I want you at the gallery now,” she said. “This afternoon. The guys are building a stretcher and you need to supervise them. You have to figure out what supplies you need so we can get them ASAP.”
“Seriously, Lisa, I need to do more research before I can—”
“Research is always never-ending,” she said, “and I’m not paying you to sit on your computer here in my house.”
Wow, she was tough. I didn’t speak, at least not out loud. Inside, I was thinking, First of all, it’s not your money. Second of all, I have no idea what I’m doing.