Chapters (70)
- PROLOGUE
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5. Morgan
- Chapter 6. Anna
- Chapter 7. Morgan
- Chapter 8. Anna
- Chapter 9. Morgan
- Chapter 10. Anna
- Chapter 11. Morgan
- Chapter 12. Anna
- Chapter 13. Morgan
- Chapter 14. Anna
- Chapter 15. Morgan
- Chapter 16. Anna
- Chapter 17. Morgan
- Chapter 18. Anna
- Chapter 19. Morgan
- Chapter 20. Anna
- Chapter 21. Morgan
- Chapter 22. Anna
- Chapter 23. Morgan
- Chapter 24. Anna
- Chapter 25. Morgan
- Chapter 26. Anna
- Chapter 27. Morgan
- Chapter 28. Anna
- Chapter 29. Morgan
- Chapter 30. Anna
- Chapter 31. Morgan
- Chapter 32. Anna
- Chapter 33. Morgan
- Chapter 34. Anna
- Chapter 35. Morgan
- Chapter 36. Anna
- Chapter 37. Morgan
- Chapter 38. Anna
- Chapter 39. Morgan
- Chapter 40. Anna
- Chapter 41. Morgan
- Chapter 42. Anna
- Chapter 43. Morgan
- Chapter 44. Anna
- Chapter 45. Morgan
- Chapter 46. Anna
- Chapter 47. Morgan
- Chapter 48. Anna
- Chapter 49. Morgan
- Chapter 50. Anna
- Chapter 51. Morgan
- Chapter 52. Anna
- Chapter 53. Morgan
- Chapter 54. Anna
- Chapter 55. Morgan
- Chapter 56. Anna
- Chapter 57. Morgan
- Chapter 58. Anna
- Chapter 59. Morgan
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Epilogue: Morgan
- Acknowledgements
I’d told Jesse I planned to paint over the motorcycle this afternoon, but now I wondered if I was too late. I’d been too eager to paint my name, to see it glowing in the corner against the deep green of the Mill Village lawn. Now I was kicking myself for my narcissism.
Karl greeted both of us, touching the brim of his policeman’s hat. Then he looked past me and I saw that Jesse—my brilliant Jesse—had quickly moved his easel in front of the mural, blocking the motorcycle from Karl’s view. Instead of the motorcycle, all Karl would be able to see was a detailed drawing of one of the Williams family’s mules on the easel. But Karl didn’t so much as glance at the mural. I didn’t want to let him inside the warehouse, but he stepped past me, glanced around my studio space, then stood squarely in front of me.
“Where is your hammer, Anna?” he asked.
I played dumb, desperately trying to buy time. Finally I said, “I don’t have a hammer.”
Karl pointed out that I’d had one back when he was helping us stretch the canvas. He looked past me at Jesse. “Do you remember that, Jesse Williams?” he asked. “And Pauline told me she stopped by yesterday and she didn’t see one, so I was wondering what happened to it?”
I was stunned, torn between my anger at Pauline and my desperate scrambling to find a way around Karl’s question. I could say that the hammer he saw that day hadn’t been mine. That Peter had brought one with him. But then I’d be getting Peter in trouble.
Then Karl told us that a bloody hammer had been found in the woods near Martin Drapple’s motorcycle. “Just wondering if it might have been yours,” he asked.
I was breathing hard and fast. Surely he noticed. I tried to figure out what an innocent person would say at that moment.
I asked him if that’s what he thought killed Martin. The hammer.
“No, a person killed him with the hammer,” Karl said. “And I know you had a hammer you can’t seem to produce.”
I said maybe someone else might have brought a hammer the day we worked on stretching the canvas. Karl had brought tools, himself.
Karl gave me a look I can only describe as disgusted and said he’d just wanted to give me a chance to show him my hammer. “I see you can’t do that,” he said. He touched the brim of his hat and wished Jesse and me a good day. Then he was gone.
Jesse and I turned to stare at one another.