Back Big Lies in a Small Town
Chapters (70)
  1. PROLOGUE
  2. Chapter 1
  3. Chapter 2
  4. Chapter 3
  5. Chapter 4
  6. Chapter 5. Morgan
  7. Chapter 6. Anna
  8. Chapter 7. Morgan
  9. Chapter 8. Anna
  10. Chapter 9. Morgan
  11. Chapter 10. Anna
  12. Chapter 11. Morgan
  13. Chapter 12. Anna
  14. Chapter 13. Morgan
  15. Chapter 14. Anna
  16. Chapter 15. Morgan
  17. Chapter 16. Anna
  18. Chapter 17. Morgan
  19. Chapter 18. Anna
  20. Chapter 19. Morgan
  21. Chapter 20. Anna
  22. Chapter 21. Morgan
  23. Chapter 22. Anna
  24. Chapter 23. Morgan
  25. Chapter 24. Anna
  26. Chapter 25. Morgan
  27. Chapter 26. Anna
  28. Chapter 27. Morgan
  29. Chapter 28. Anna
  30. Chapter 29. Morgan
  31. Chapter 30. Anna
  32. Chapter 31. Morgan
  33. Chapter 32. Anna
  34. Chapter 33. Morgan
  35. Chapter 34. Anna
  36. Chapter 35. Morgan
  37. Chapter 36. Anna
  38. Chapter 37. Morgan
  39. Chapter 38. Anna
  40. Chapter 39. Morgan
  41. Chapter 40. Anna
  42. Chapter 41. Morgan
  43. Chapter 42. Anna
  44. Chapter 43. Morgan
  45. Chapter 44. Anna
  46. Chapter 45. Morgan
  47. Chapter 46. Anna
  48. Chapter 47. Morgan
  49. Chapter 48. Anna
  50. Chapter 49. Morgan
  51. Chapter 50. Anna
  52. Chapter 51. Morgan
  53. Chapter 52. Anna
  54. Chapter 53. Morgan
  55. Chapter 54. Anna
  56. Chapter 55. Morgan
  57. Chapter 56. Anna
  58. Chapter 57. Morgan
  59. Chapter 58. Anna
  60. Chapter 59. Morgan
  61. Chapter 60
  62. Chapter 61
  63. Chapter 62
  64. Chapter 63
  65. Chapter 64
  66. Chapter 65
  67. Chapter 66
  68. Chapter 67
  69. Epilogue: Morgan
  70. Acknowledgements

I’d told Jesse I planned to paint over the motorcycle this afternoon, but now I wondered if I was too late. I’d been too eager to paint my name, to see it glowing in the corner against the deep green of the Mill Village lawn. Now I was kicking myself for my narcissism.

Karl greeted both of us, touching the brim of his policeman’s hat. Then he looked past me and I saw that Jesse—my brilliant Jesse—had quickly moved his easel in front of the mural, blocking the motorcycle from Karl’s view. Instead of the motorcycle, all Karl would be able to see was a detailed drawing of one of the Williams family’s mules on the easel. But Karl didn’t so much as glance at the mural. I didn’t want to let him inside the warehouse, but he stepped past me, glanced around my studio space, then stood squarely in front of me.

“Where is your hammer, Anna?” he asked.

I played dumb, desperately trying to buy time. Finally I said, “I don’t have a hammer.”

Karl pointed out that I’d had one back when he was helping us stretch the canvas. He looked past me at Jesse. “Do you remember that, Jesse Williams?” he asked. “And Pauline told me she stopped by yesterday and she didn’t see one, so I was wondering what happened to it?”

I was stunned, torn between my anger at Pauline and my desperate scrambling to find a way around Karl’s question. I could say that the hammer he saw that day hadn’t been mine. That Peter had brought one with him. But then I’d be getting Peter in trouble.

Then Karl told us that a bloody hammer had been found in the woods near Martin Drapple’s motorcycle. “Just wondering if it might have been yours,” he asked.

I was breathing hard and fast. Surely he noticed. I tried to figure out what an innocent person would say at that moment.

I asked him if that’s what he thought killed Martin. The hammer.

“No, a person killed him with the hammer,” Karl said. “And I know you had a hammer you can’t seem to produce.”

I said maybe someone else might have brought a hammer the day we worked on stretching the canvas. Karl had brought tools, himself.

Karl gave me a look I can only describe as disgusted and said he’d just wanted to give me a chance to show him my hammer. “I see you can’t do that,” he said. He touched the brim of his hat and wished Jesse and me a good day. Then he was gone.

Jesse and I turned to stare at one another.