Back Big Lies in a Small Town
Chapters (70)
  1. PROLOGUE
  2. Chapter 1
  3. Chapter 2
  4. Chapter 3
  5. Chapter 4
  6. Chapter 5. Morgan
  7. Chapter 6. Anna
  8. Chapter 7. Morgan
  9. Chapter 8. Anna
  10. Chapter 9. Morgan
  11. Chapter 10. Anna
  12. Chapter 11. Morgan
  13. Chapter 12. Anna
  14. Chapter 13. Morgan
  15. Chapter 14. Anna
  16. Chapter 15. Morgan
  17. Chapter 16. Anna
  18. Chapter 17. Morgan
  19. Chapter 18. Anna
  20. Chapter 19. Morgan
  21. Chapter 20. Anna
  22. Chapter 21. Morgan
  23. Chapter 22. Anna
  24. Chapter 23. Morgan
  25. Chapter 24. Anna
  26. Chapter 25. Morgan
  27. Chapter 26. Anna
  28. Chapter 27. Morgan
  29. Chapter 28. Anna
  30. Chapter 29. Morgan
  31. Chapter 30. Anna
  32. Chapter 31. Morgan
  33. Chapter 32. Anna
  34. Chapter 33. Morgan
  35. Chapter 34. Anna
  36. Chapter 35. Morgan
  37. Chapter 36. Anna
  38. Chapter 37. Morgan
  39. Chapter 38. Anna
  40. Chapter 39. Morgan
  41. Chapter 40. Anna
  42. Chapter 41. Morgan
  43. Chapter 42. Anna
  44. Chapter 43. Morgan
  45. Chapter 44. Anna
  46. Chapter 45. Morgan
  47. Chapter 46. Anna
  48. Chapter 47. Morgan
  49. Chapter 48. Anna
  50. Chapter 49. Morgan
  51. Chapter 50. Anna
  52. Chapter 51. Morgan
  53. Chapter 52. Anna
  54. Chapter 53. Morgan
  55. Chapter 54. Anna
  56. Chapter 55. Morgan
  57. Chapter 56. Anna
  58. Chapter 57. Morgan
  59. Chapter 58. Anna
  60. Chapter 59. Morgan
  61. Chapter 60
  62. Chapter 61
  63. Chapter 62
  64. Chapter 63
  65. Chapter 64
  66. Chapter 65
  67. Chapter 66
  68. Chapter 67
  69. Epilogue: Morgan
  70. Acknowledgements

“Not most, but for many years.” Lisa opened the wide, double-door refrigerator and handed me a bottle of water, then unscrewed the cap of another for herself. “And he lived in France before that,” she said, leaning against the white-and-gray marble-topped counter. “He was in France during the war and just stayed. He met his first wife there. That lasted fifteen years or so, and after his divorce, he moved to New York and married my mother. She was much younger. It looked like they weren’t going to have children, but then I came along.” Lisa took a long drink from her water bottle. “She was thirty-nine and he was nearly fifty. He felt the family pull then and wanted to move back to Edenton. Back to his roots. I was seven. He had a name by then, and Edenton wanted to claim him.” She set her bottle down and began rifling through a manila file folder on the island. “Even so,” she continued, “they had to buy this place for cash. No one would have given a black man a loan for a house in this neighborhood back then. It’s hard enough now,” she added under her breath in a mutter. She pulled a sheaf of paper from the folder. “I want to read you this part of his will,” she said, holding up the paper.

I nodded, and Lisa began to read.

“‘My plans for the foyer of the gallery: In the closet of my studio’—his studio is back there, and it’s a mess.” Lisa pointed through the kitchen window, and I could see a good-size white cottage in the rear of the yard. “‘In the closet of my studio,’” Lisa continued, “‘you will find a large rolled canvas. This was painted in 1940 as part of a government-sponsored competition for post office murals by a young woman named Anna Dale. Anna completed the mural but became unwell before it could be installed in the post office, and it has been in my possession in one way or another since that time. The mural is to be the focal point of the foyer in the new gallery. Of course, it needs to be restored and that work is to be done by a young lady named Morgan Christopher, who has completed nearly three years as a fine arts major at UNC in Chapel Hill but is currently serving time in the women’s prison in Raleigh.’”

I felt my stomach flip. He definitely had the right Morgan Christopher.