Chapters (70)
- PROLOGUE
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5. Morgan
- Chapter 6. Anna
- Chapter 7. Morgan
- Chapter 8. Anna
- Chapter 9. Morgan
- Chapter 10. Anna
- Chapter 11. Morgan
- Chapter 12. Anna
- Chapter 13. Morgan
- Chapter 14. Anna
- Chapter 15. Morgan
- Chapter 16. Anna
- Chapter 17. Morgan
- Chapter 18. Anna
- Chapter 19. Morgan
- Chapter 20. Anna
- Chapter 21. Morgan
- Chapter 22. Anna
- Chapter 23. Morgan
- Chapter 24. Anna
- Chapter 25. Morgan
- Chapter 26. Anna
- Chapter 27. Morgan
- Chapter 28. Anna
- Chapter 29. Morgan
- Chapter 30. Anna
- Chapter 31. Morgan
- Chapter 32. Anna
- Chapter 33. Morgan
- Chapter 34. Anna
- Chapter 35. Morgan
- Chapter 36. Anna
- Chapter 37. Morgan
- Chapter 38. Anna
- Chapter 39. Morgan
- Chapter 40. Anna
- Chapter 41. Morgan
- Chapter 42. Anna
- Chapter 43. Morgan
- Chapter 44. Anna
- Chapter 45. Morgan
- Chapter 46. Anna
- Chapter 47. Morgan
- Chapter 48. Anna
- Chapter 49. Morgan
- Chapter 50. Anna
- Chapter 51. Morgan
- Chapter 52. Anna
- Chapter 53. Morgan
- Chapter 54. Anna
- Chapter 55. Morgan
- Chapter 56. Anna
- Chapter 57. Morgan
- Chapter 58. Anna
- Chapter 59. Morgan
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Epilogue: Morgan
- Acknowledgements
“Not most, but for many years.” Lisa opened the wide, double-door refrigerator and handed me a bottle of water, then unscrewed the cap of another for herself. “And he lived in France before that,” she said, leaning against the white-and-gray marble-topped counter. “He was in France during the war and just stayed. He met his first wife there. That lasted fifteen years or so, and after his divorce, he moved to New York and married my mother. She was much younger. It looked like they weren’t going to have children, but then I came along.” Lisa took a long drink from her water bottle. “She was thirty-nine and he was nearly fifty. He felt the family pull then and wanted to move back to Edenton. Back to his roots. I was seven. He had a name by then, and Edenton wanted to claim him.” She set her bottle down and began rifling through a manila file folder on the island. “Even so,” she continued, “they had to buy this place for cash. No one would have given a black man a loan for a house in this neighborhood back then. It’s hard enough now,” she added under her breath in a mutter. She pulled a sheaf of paper from the folder. “I want to read you this part of his will,” she said, holding up the paper.
I nodded, and Lisa began to read.
“‘My plans for the foyer of the gallery: In the closet of my studio’—his studio is back there, and it’s a mess.” Lisa pointed through the kitchen window, and I could see a good-size white cottage in the rear of the yard. “‘In the closet of my studio,’” Lisa continued, “‘you will find a large rolled canvas. This was painted in 1940 as part of a government-sponsored competition for post office murals by a young woman named Anna Dale. Anna completed the mural but became unwell before it could be installed in the post office, and it has been in my possession in one way or another since that time. The mural is to be the focal point of the foyer in the new gallery. Of course, it needs to be restored and that work is to be done by a young lady named Morgan Christopher, who has completed nearly three years as a fine arts major at UNC in Chapel Hill but is currently serving time in the women’s prison in Raleigh.’”
I felt my stomach flip. He definitely had the right Morgan Christopher.