Chapters (70)
- PROLOGUE
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5. Morgan
- Chapter 6. Anna
- Chapter 7. Morgan
- Chapter 8. Anna
- Chapter 9. Morgan
- Chapter 10. Anna
- Chapter 11. Morgan
- Chapter 12. Anna
- Chapter 13. Morgan
- Chapter 14. Anna
- Chapter 15. Morgan
- Chapter 16. Anna
- Chapter 17. Morgan
- Chapter 18. Anna
- Chapter 19. Morgan
- Chapter 20. Anna
- Chapter 21. Morgan
- Chapter 22. Anna
- Chapter 23. Morgan
- Chapter 24. Anna
- Chapter 25. Morgan
- Chapter 26. Anna
- Chapter 27. Morgan
- Chapter 28. Anna
- Chapter 29. Morgan
- Chapter 30. Anna
- Chapter 31. Morgan
- Chapter 32. Anna
- Chapter 33. Morgan
- Chapter 34. Anna
- Chapter 35. Morgan
- Chapter 36. Anna
- Chapter 37. Morgan
- Chapter 38. Anna
- Chapter 39. Morgan
- Chapter 40. Anna
- Chapter 41. Morgan
- Chapter 42. Anna
- Chapter 43. Morgan
- Chapter 44. Anna
- Chapter 45. Morgan
- Chapter 46. Anna
- Chapter 47. Morgan
- Chapter 48. Anna
- Chapter 49. Morgan
- Chapter 50. Anna
- Chapter 51. Morgan
- Chapter 52. Anna
- Chapter 53. Morgan
- Chapter 54. Anna
- Chapter 55. Morgan
- Chapter 56. Anna
- Chapter 57. Morgan
- Chapter 58. Anna
- Chapter 59. Morgan
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Epilogue: Morgan
- Acknowledgements
“You gonna need to buck up, Anna,” Jesse told her later that morning as she stood helplessly in front of the mural, useless brush in her hand. He’d been doing some of the painting for her this week, always the background, leaving the more intricate work for her. But most days, she’d simply sit on one of the chairs and turn her head away from the mural.
“It makes me sick to look at,” she told him.
The cot and its telltale stain were gone. Jesse had gotten rid of them and Anna didn’t ask what he’d done with them. She didn’t care. All that remained of that night in the warehouse was the revolting splash of red paint on the floor. Bile rose in her throat every time she saw it. Guilt and anger took turns toying with her and there was rarely a moment that she wasn’t suffering from one or the other. She barely slept, and when she did, she had frightening nightmares that left her confused about what was real and what was not. When she remembered what was real, she would break down sobbing whether she was alone in her room at Miss Myrtle’s or in an aisle of the pharmacy or sitting numbly in the warehouse.
Once, during the week after it happened, Pauline stopped by the warehouse to ask her to go to lunch. At the sound of Pauline’s car outside the warehouse, Jesse put the brush and palette in Anna’s hands and pulled her to her feet, his hand on her elbow.
“’Least pretend like you workin’,” he whispered.
Anna turned down Pauline’s invitation, too afraid of what she might say if she spent more than a few minutes with her friend. She didn’t want to hear any more of Pauline’s questions and suspicions. She was afraid of saying the wrong thing. Giving herself—and Jesse—away. Anna could no longer trust her mind or her tongue. Her brain felt soft, her thoughts jumbled.
If Miss Myrtle wondered why Anna was so quiet at breakfasttime, and why she was now home for supper each evening instead of working late into the night, she didn’t say, but the landlady was clearly worried about her.
“You should see a doctor,” she told her Thursday morning. “You’re usually so happy-go-lucky. Most likely, you just need some iron.”
It took Anna a moment to smile in response, as though Miss Myrtle’s words had to fight their way into her brain. If only the cure for what ailed her could be so simple, she thought. But iron wouldn’t help her. There was nothing that would ease her guilt and fear.
When Anna dragged herself to the warehouse Friday morning, she found Jesse already there. He stood in front of the mural and looked over at her, his eyes dark with worry.
“Anna,” he said quietly. “What did you do?”