Chapters (70)
- PROLOGUE
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5. Morgan
- Chapter 6. Anna
- Chapter 7. Morgan
- Chapter 8. Anna
- Chapter 9. Morgan
- Chapter 10. Anna
- Chapter 11. Morgan
- Chapter 12. Anna
- Chapter 13. Morgan
- Chapter 14. Anna
- Chapter 15. Morgan
- Chapter 16. Anna
- Chapter 17. Morgan
- Chapter 18. Anna
- Chapter 19. Morgan
- Chapter 20. Anna
- Chapter 21. Morgan
- Chapter 22. Anna
- Chapter 23. Morgan
- Chapter 24. Anna
- Chapter 25. Morgan
- Chapter 26. Anna
- Chapter 27. Morgan
- Chapter 28. Anna
- Chapter 29. Morgan
- Chapter 30. Anna
- Chapter 31. Morgan
- Chapter 32. Anna
- Chapter 33. Morgan
- Chapter 34. Anna
- Chapter 35. Morgan
- Chapter 36. Anna
- Chapter 37. Morgan
- Chapter 38. Anna
- Chapter 39. Morgan
- Chapter 40. Anna
- Chapter 41. Morgan
- Chapter 42. Anna
- Chapter 43. Morgan
- Chapter 44. Anna
- Chapter 45. Morgan
- Chapter 46. Anna
- Chapter 47. Morgan
- Chapter 48. Anna
- Chapter 49. Morgan
- Chapter 50. Anna
- Chapter 51. Morgan
- Chapter 52. Anna
- Chapter 53. Morgan
- Chapter 54. Anna
- Chapter 55. Morgan
- Chapter 56. Anna
- Chapter 57. Morgan
- Chapter 58. Anna
- Chapter 59. Morgan
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Epilogue: Morgan
- Acknowledgements
Jesse turned people away from the warehouse all that afternoon, while Anna sat numbly in the chair by his easel. He stood at the door. “She ain’t feelin’ well today,” he said to anyone who wanted to come in and watch her paint. She was glad he was there. She was afraid one of the men would come in and she’d be alone with him. The mayor, or Mr. Fiering, or some other man from town. She suddenly feared all of them and how they had the power to hurt her. Or maybe they would realize that the red paint on the floor covered blood. Or maybe the police might come. Maybe they found Martin’s motorcycle? Jesse didn’t tell her what he’d done with it—or with Martin’s body—and she didn’t ask. He told her only that he’d burned the gloves.
Pauline came to the warehouse sometime that afternoon. Anna wasn’t sure when, exactly. Time was falling apart for her. She was still sitting on Jesse’s chair when Pauline arrived, while Jesse painted some of the border of the mural. He’d asked her if he could, and she’d nodded yes. She wasn’t sure she’d be able to paint any of the mural ever again.
Jesse quickly walked to the door when Pauline stepped inside.
“Miss Anna ain’t feelin’ well,” he said, trying to block her entry, but Pauline pushed him aside with a hand on his chest.
“I’m a nurse,” she said, marching toward Anna across the warehouse. Anna knew she should do all she could to appear like her normal self, but the effort seemed too much for her. She gave in to the catatonia that had taken hold of her, staring into space as Pauline crossed the room.
“My God!” Pauline stopped suddenly. “What happened here?”
Anna followed Pauline’s gaze to the spilled paint, the broken cot. For the first time, she noticed the blood in the exact center of the cot’s khaki body. It was her blood there, not Martin’s. She let out a sob before she could stop it.
Pauline squatted in front of her, the skirt of her white nurse’s uniform fanning out around her. She rested her hands on Anna’s knees. “What happened, Anna?” she asked, her voice gentle but firm. Then more softly in a whisper. “Did the boy … Jesse … did he … hurt you?”
Across the warehouse from them, Jesse stood against the wall by the door. Anna felt his fear from where she sat.
“No.” It was the first word she’d spoken aloud since Pauline’s arrival and it came out as a croak, but she couldn’t allow Jesse to be blamed for any of what happened. “Jesse,” she said to him. “Go. Go home.”
“No, Miss An—”