Chapters (70)
- PROLOGUE
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5. Morgan
- Chapter 6. Anna
- Chapter 7. Morgan
- Chapter 8. Anna
- Chapter 9. Morgan
- Chapter 10. Anna
- Chapter 11. Morgan
- Chapter 12. Anna
- Chapter 13. Morgan
- Chapter 14. Anna
- Chapter 15. Morgan
- Chapter 16. Anna
- Chapter 17. Morgan
- Chapter 18. Anna
- Chapter 19. Morgan
- Chapter 20. Anna
- Chapter 21. Morgan
- Chapter 22. Anna
- Chapter 23. Morgan
- Chapter 24. Anna
- Chapter 25. Morgan
- Chapter 26. Anna
- Chapter 27. Morgan
- Chapter 28. Anna
- Chapter 29. Morgan
- Chapter 30. Anna
- Chapter 31. Morgan
- Chapter 32. Anna
- Chapter 33. Morgan
- Chapter 34. Anna
- Chapter 35. Morgan
- Chapter 36. Anna
- Chapter 37. Morgan
- Chapter 38. Anna
- Chapter 39. Morgan
- Chapter 40. Anna
- Chapter 41. Morgan
- Chapter 42. Anna
- Chapter 43. Morgan
- Chapter 44. Anna
- Chapter 45. Morgan
- Chapter 46. Anna
- Chapter 47. Morgan
- Chapter 48. Anna
- Chapter 49. Morgan
- Chapter 50. Anna
- Chapter 51. Morgan
- Chapter 52. Anna
- Chapter 53. Morgan
- Chapter 54. Anna
- Chapter 55. Morgan
- Chapter 56. Anna
- Chapter 57. Morgan
- Chapter 58. Anna
- Chapter 59. Morgan
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Epilogue: Morgan
- Acknowledgements
It took her nearly an hour to shift the weight off her chest long enough to get up, shower, and put on her pants and blouse. She had no appetite, and she was glad Miss Myrtle wasn’t home so she didn’t have to make idle chatter over a breakfast she didn’t want to eat. Freda, always easygoing, didn’t bat an eye when Anna said she wasn’t hungry, and for once, Anna was glad for the housekeeper’s muteness.
She drove to the warehouse and wasn’t surprised to find Jesse already inside at his easel, intently working on an overly ambitious painting of a woman staring out a window. Anna had bought him three more canvases as well as a couple of sketchbooks, and his paintings and sketches were now strewn all over the walls of the warehouse. He’d taken to arriving very early in the morning. Sometimes he would get there before sunup, and Anna was no longer surprised to find him already at the easel when she arrived. He wanted to get as much time in the warehouse as he could before he had to go home to the farm.
On the table next to the easel, she could see that he had the Old Masters library book open, probably to one of the Vermeers, since it was clear he was experimenting with evening light in the painting. It did something to her heart, seeing this young boy’s attempt to emulate his idol, and she smiled for the first time that morning. There was so much she wanted to teach him. So much she wanted him to have the chance to learn. She wished she could take him to New York. She’d told him about the Metropolitan Museum of Art and the new Whitney Museum, but telling him about them was no substitute for actually being there. For seeing the art up close. She’d told him, too, that he would be allowed into any museum he wanted to visit in New York City. “The color of your skin wouldn’t matter up there,” she’d said. She knew that was a lie, but at the moment she said it, she felt giddy with the thought of all he could do and see in the city. But then she snapped back to reality. They were trapped in a warehouse in Edenton, and she was filled with sadness again.
“Do you want some help?” she asked, trading her sweater for the smock that hung over the back of her chair.
“Not yet,” he said. “I wanna figger this out by myself.” He stood back and studied the painting on the easel. “Can you tell who this is?” he asked.