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Chapters (70)
  1. PROLOGUE
  2. Chapter 1
  3. Chapter 2
  4. Chapter 3
  5. Chapter 4
  6. Chapter 5. Morgan
  7. Chapter 6. Anna
  8. Chapter 7. Morgan
  9. Chapter 8. Anna
  10. Chapter 9. Morgan
  11. Chapter 10. Anna
  12. Chapter 11. Morgan
  13. Chapter 12. Anna
  14. Chapter 13. Morgan
  15. Chapter 14. Anna
  16. Chapter 15. Morgan
  17. Chapter 16. Anna
  18. Chapter 17. Morgan
  19. Chapter 18. Anna
  20. Chapter 19. Morgan
  21. Chapter 20. Anna
  22. Chapter 21. Morgan
  23. Chapter 22. Anna
  24. Chapter 23. Morgan
  25. Chapter 24. Anna
  26. Chapter 25. Morgan
  27. Chapter 26. Anna
  28. Chapter 27. Morgan
  29. Chapter 28. Anna
  30. Chapter 29. Morgan
  31. Chapter 30. Anna
  32. Chapter 31. Morgan
  33. Chapter 32. Anna
  34. Chapter 33. Morgan
  35. Chapter 34. Anna
  36. Chapter 35. Morgan
  37. Chapter 36. Anna
  38. Chapter 37. Morgan
  39. Chapter 38. Anna
  40. Chapter 39. Morgan
  41. Chapter 40. Anna
  42. Chapter 41. Morgan
  43. Chapter 42. Anna
  44. Chapter 43. Morgan
  45. Chapter 44. Anna
  46. Chapter 45. Morgan
  47. Chapter 46. Anna
  48. Chapter 47. Morgan
  49. Chapter 48. Anna
  50. Chapter 49. Morgan
  51. Chapter 50. Anna
  52. Chapter 51. Morgan
  53. Chapter 52. Anna
  54. Chapter 53. Morgan
  55. Chapter 54. Anna
  56. Chapter 55. Morgan
  57. Chapter 56. Anna
  58. Chapter 57. Morgan
  59. Chapter 58. Anna
  60. Chapter 59. Morgan
  61. Chapter 60
  62. Chapter 61
  63. Chapter 62
  64. Chapter 63
  65. Chapter 64
  66. Chapter 65
  67. Chapter 66
  68. Chapter 67
  69. Epilogue: Morgan
  70. Acknowledgements

I studied the way Anna had used color to bring out the depth of the forest. She really had been a staggeringly good artist. “She always goes dark,” I said. “She always goes for red. That deep blackish red, wherever she can. Even here in the trees.”

“That ‘dried-blood’ red.” Oliver smirked. “Her signature color.”

I elbowed him, laughing. “Exactly,” I said.

I expected him to walk back to his folding table, but he stood still, and I felt his gaze on me. I turned to look at him, breathing in that enticing leathery scent he seemed to carry with him.

“You have such a good eye, Morgan,” he said. “Trust yourself a bit more.”

He did return to his worktable then, and I began mixing paint, but my mind was still on him. I thought I was sort of falling in love with him. He seemed so much older than me, and so different. Bob Dylan? Really? But where I’d seen a nerdiness in him only a few weeks ago, I now saw an intelligence. Where I’d seen a straight-arrow rule follower, now I saw a maturity I wished I could emulate. And where I saw the smooth, slightly pink skin of his cheeks … well, there were moments when I wanted to press my lips against that skin, just to see what it would feel like. The thought sent a surprising jolt to the pit of my stomach, and I returned my attention to my work, smiling to myself as I carefully brushed Anna’s “signature color” into the trees.

It was dark by the time I walked home that evening. I felt no fear walking through Edenton’s downtown at night. The town seemed idyllic to me, a charming water-bound haven that was easing the hypervigilance that had been my companion in prison. I no longer looked over my shoulder as I walked. I no longer tightened my fists when I was out in the open, ready to defend myself.

Lisa’s car was gone when I reached the house. I took a bath in the walk-in bathtub that had been installed for Jesse, then headed for the sunroom. In the hall, I passed a small framed medallion I had never truly noticed before. I stopped to look at it, gasping when I realized what it was. The National Medal of Arts. I knew Jesse had been awarded the medal at some time, but it never occurred to me that the actual bronze medallion was here, just a few yards from where I slept each night. I read the inscription on the plaque beneath it.

Presented by President Barack Obama to Jesse Jameson Williams on this day, August 5, 2012