Chapters (70)
- PROLOGUE
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5. Morgan
- Chapter 6. Anna
- Chapter 7. Morgan
- Chapter 8. Anna
- Chapter 9. Morgan
- Chapter 10. Anna
- Chapter 11. Morgan
- Chapter 12. Anna
- Chapter 13. Morgan
- Chapter 14. Anna
- Chapter 15. Morgan
- Chapter 16. Anna
- Chapter 17. Morgan
- Chapter 18. Anna
- Chapter 19. Morgan
- Chapter 20. Anna
- Chapter 21. Morgan
- Chapter 22. Anna
- Chapter 23. Morgan
- Chapter 24. Anna
- Chapter 25. Morgan
- Chapter 26. Anna
- Chapter 27. Morgan
- Chapter 28. Anna
- Chapter 29. Morgan
- Chapter 30. Anna
- Chapter 31. Morgan
- Chapter 32. Anna
- Chapter 33. Morgan
- Chapter 34. Anna
- Chapter 35. Morgan
- Chapter 36. Anna
- Chapter 37. Morgan
- Chapter 38. Anna
- Chapter 39. Morgan
- Chapter 40. Anna
- Chapter 41. Morgan
- Chapter 42. Anna
- Chapter 43. Morgan
- Chapter 44. Anna
- Chapter 45. Morgan
- Chapter 46. Anna
- Chapter 47. Morgan
- Chapter 48. Anna
- Chapter 49. Morgan
- Chapter 50. Anna
- Chapter 51. Morgan
- Chapter 52. Anna
- Chapter 53. Morgan
- Chapter 54. Anna
- Chapter 55. Morgan
- Chapter 56. Anna
- Chapter 57. Morgan
- Chapter 58. Anna
- Chapter 59. Morgan
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Epilogue: Morgan
- Acknowledgements
“If they figure it out, I hope they’ll tell me,” I said, shaking my head. I looked at Nathan. “Want to see what else we uncovered?” I asked him as I walked toward the painting. “You have to come closer to see.” I had a funny feeling as I moved toward the mural with the boy at my side. A sense of intimacy and ownership of the painting. It was more mine than anyone else’s in this room. “There’s also this little skull peeking out of a window.” I pointed to one of the little Mill Village houses where Anna had painted a small, hollow-eyed skull in one of the windows. “And there’s a little man in the reflection of that mirror the woman’s holding, right where you’d expect to see a reflection of her face. And there are not only drops of tea coming from the shattered teapot but drops of—”
“Is that blood, too?” Lisa moved near us, hand on her chest. “Oh my God. I wonder if my father remembered how disturbing this thing is when he thought of hanging it in the foyer?”
“There is a lot of blood,” I said, almost apologetically.
“She was, like, possessed.” Nathan sounded frankly delighted. “The artist.”
“She may have been,” Oliver said.
“It’s a mess,” Nathan said. “All those places where the paint’s, like, worn away?”
Lisa let out a pained sigh. “It is indeed still a mess.” She knotted her hands together around her phone. “But you have a whole month left.” She gave me a hopeful look. “I’m sure you can do it.”
I glanced at Oliver, whose expression told me he doubted anyone could do all the necessary work—and do it well—in a month. Then I nodded at Lisa.
“I’ll do my best,” I said.
Lisa left, and Adam and Wyatt went back to work in the rear rooms of the gallery. I looked at the box of inpainting supplies waiting for me on the floor by the ladder.
“You look nervous.” Oliver smiled at me.
“Can you help me after lunch?” I asked. “Just to get me started?”
“Of course.” He turned to his son. “You hungry, Nate?” he asked.
“Starving!”
Oliver pulled his wallet from the back pocket of his jeans and handed me a twenty. “You and Nathan get lunch for the three of us while I move my computer out here to the foyer. That way, I can supervise you for a few days,” he said. “Chicken wrap for me.”
“Thank you,” I said, happy to know he’d be close by. I’d pictured myself running back and forth to his office, dragging him to the foyer to advise me on every brushstroke.
Nathan and I set out for Nothing Fancy, talking about what we’d order for lunch: a BLT for him, chef’s salad for me. Then Nathan pointed to my ankle.