Contents ( 31)
- Table of Contents
- Introduction
- The Crystal Cup
- I. The Dream-Birth
- II. The Feast of Beauty
- III. The Story of the Moonbeam
- The Chain of Destiny
- I. A Warning
- II. More Links
- III. The Third To-morrow
- IV Afterwards
- The Castle of the King
- The Dualitists; or, the Death Doom of the Double Born
- Chapter I. Bis Dat Qui Non Cito Dat1
- Chapter II. Halcyon Days
- Chapter III. Rumours of Wars
- Chapter IV The Tucket Sounds
- Chapter V The First Crusade
- Chapter VI. “Let the Dead Past Bury Its Dead”
- Chapter VII. A Cloud with Golden Lining
- The Burial of the Rats
- The Judge’s House
- The Secret of the Growing Gold
- The Coming of Abel Behenna
- The Squaw
- A Dream of Red Hands
- Crooken Sands
- Dracula’s Guest
- A Star Trap
- A Gipsy Prophecy
- A CATALOG OF SELECTED DOVER BOOKS IN ALL FIELDS OF INTEREST
Surely never yet was a Feast of Beauty so fair or so richly dowered as this which the full moon shall behold and hear; but ah! the crowning glory of the feast will be the crystal cup. Never yet have these eyes beheld such a form of beauty, such a wondrous mingling of substance and light. Surely some magic power must have helped to draw such loveliness from a cold block of crystal. I must be careful that no harm happens the vase. To-day when I touched it, it gave forth such a ringing sound that my heart jumped with fear lest it should sustain any injury. Henceforth, till I deliver it up to my master, no hand but my own shall touch it lest any harm should happen to it.
Strange story has that cup. Born to life in the cell of a captive torn from his artist home beyond the sea, to enhance the splendour of a feast by his labour—seen at work by spies, and traced and followed till a chance—cruel chance for him—gave him into the hands of the emissaries of my master. He too, poor moth, fluttered about the flame: the name of freedom spurred him on to exertion till he wore away his life. The beauty of that cup was dearly bought for him. Many a man would forget his captivity whilst he worked at such a piece of loveliness; but he appeared to have some sorrow at his heart, some sorrow so great that it quenched his pride.
How he used to rave at first! How he used to rush about his chamber, and then climb into the embrasure of his window, and gaze out away over the sea! Poor captive! perhaps over the sea some one waited for his coming who was dearer to him than many cups, even many cups as beautiful as this, if such could be on earth.... Well, well, we must all die soon or late, and who dies first escapes the more sorrow, perhaps, who knows? How, when he had commenced the cup, he used to sing all day long, from the moment the sun shot its first fiery arrow into the retreating hosts of night-clouds, till the shades of evening advancing drove the lingering sunbeams into the west—and always the same song!
How he used to sing, all alone! Yet sometimes I could almost imagine I heard not one voice from his chamber, but two.... No more will it echo again from the wall of a dungeon, or from a hillside in free air. No more will his eyes behold the beauty of his crystal cup.
It was well he lived to finish it. Often and often have I trembled to think of his death, as I saw him day by day grow weaker as he worked at the unfinished vase. Must his eyes never more behold the beauty that was born of his soul? Oh, never more! Oh Death, grim King of Terrors, how mighty is thy sceptre! All-powerful is the wave of thy hand that summons us in turn to thy kingdom away beyond the poles!