Contents ( 31)
- Table of Contents
- Introduction
- The Crystal Cup
- I. The Dream-Birth
- II. The Feast of Beauty
- III. The Story of the Moonbeam
- The Chain of Destiny
- I. A Warning
- II. More Links
- III. The Third To-morrow
- IV Afterwards
- The Castle of the King
- The Dualitists; or, the Death Doom of the Double Born
- Chapter I. Bis Dat Qui Non Cito Dat1
- Chapter II. Halcyon Days
- Chapter III. Rumours of Wars
- Chapter IV The Tucket Sounds
- Chapter V The First Crusade
- Chapter VI. “Let the Dead Past Bury Its Dead”
- Chapter VII. A Cloud with Golden Lining
- The Burial of the Rats
- The Judge’s House
- The Secret of the Growing Gold
- The Coming of Abel Behenna
- The Squaw
- A Dream of Red Hands
- Crooken Sands
- Dracula’s Guest
- A Star Trap
- A Gipsy Prophecy
- A CATALOG OF SELECTED DOVER BOOKS IN ALL FIELDS OF INTEREST
The house had been lately restored; but in effecting the restoration comfort had not been forgotten, and any modern improvement which tended to increase the homelike appearance of the rooms had been added. The old diamond-paned casements, which had remained probably from the Elizabethan age, had given place to more useful plate glass; and, in like manner, many other changes had taken place. But so judiciously had every change been effected that nothing of the new clashed with the old, but the harmony of all the parts seemed complete.
I thought it no wonder that Mrs. Trevor had fallen in love with Scarp the first time she had seen it. Mrs. Trevor’s liking the place was tantamount to her husband’s buying it, for he was so wealthy that he could get almost anything money could purchase. He was himself a man of good taste, but still he felt his inferiority to his wife in this respect so much that he never dreamt of differing in opinion from her on any matter of choice or judgment. Mrs. Trevor had, without exception, the best taste of any one whom I ever knew, and, strange to say, her taste was not confined to any branch of art. She did not write, or paint, or sing; but still her judgment in writing, painting, or music, was unquestioned by her friends. It seemed as if nature had denied to her the power of execution in any separate branch of art, in order to make her perfect in her appreciation of what was beautiful and true in all. She was perfect in the art of harmonising—the art of every-day life. Her husband used to say, with a far-fetched joke, that her star must have been in the House of Libra, because everything which she said and did showed such a nicety of balance.
Mr. and Mrs. Trevor were the most model couple I ever knew—they really seemed not twain, but one. They appeared to have adopted something of the French idea of man and wife—that they should not be the less like friends because they were linked together by indissoluble bonds—that they should share their pleasures as well as their sorrows. The former outbalanced the latter, for both husband and wife were of that happy temperament which can take pleasure from everything, and find consolation even in the chastening rod of affliction.
Still, through their web of peaceful happiness ran a thread of care. One that cropped up in strange places, and disappeared again, but which left a quiet tone over the whole fabric—they had no child.
“They had their share of sorrow, for when time was ripe
The still affection of the heart became an outward breathing type,
That into stillness passed again,
But left a want unknown before.”
There was something simple and holy in their patient endurance of their lonely life—for lonely a house must ever be without children to those who love truly. Theirs was not the eager, disappointed longing of those whose union had proved fruitless. It was the simple, patient, hopeless resignation of those who find that a common sorrow draws them more closely together than many common joys. I myself could note the warmth of their hearts and their strong philoprogenitive feeling in their manner towards me.