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Contents ( 31)
  1. Table of Contents
  2. Introduction
  3. The Crystal Cup
  4. I. The Dream-Birth
  5. II. The Feast of Beauty
  6. III. The Story of the Moonbeam
  7. The Chain of Destiny
  8. I. A Warning
  9. II. More Links
  10. III. The Third To-morrow
  11. IV Afterwards
  12. The Castle of the King
  13. The Dualitists; or, the Death Doom of the Double Born
  14. Chapter I. Bis Dat Qui Non Cito Dat1
  15. Chapter II. Halcyon Days
  16. Chapter III. Rumours of Wars
  17. Chapter IV The Tucket Sounds
  18. Chapter V The First Crusade
  19. Chapter VI. “Let the Dead Past Bury Its Dead”
  20. Chapter VII. A Cloud with Golden Lining
  21. The Burial of the Rats
  22. The Judge’s House
  23. The Secret of the Growing Gold
  24. The Coming of Abel Behenna
  25. The Squaw
  26. A Dream of Red Hands
  27. Crooken Sands
  28. Dracula’s Guest
  29. A Star Trap
  30. A Gipsy Prophecy
  31. A CATALOG OF SELECTED DOVER BOOKS IN ALL FIELDS OF INTEREST

Mrs. Trevor turned round and faced me slowly, with a look of horror on her face.

“Frank, I don’t like this at all. There is something very strange here.”

I had it on my tongue to tell her my dream, but was ashamed to do so. Besides, I feared that it might frighten her too much, as she was already alarmed.

I continued to look at the picture as a relief from my embarrassment, and was struck with the excessive griminess of the back in comparison to the freshness of the front. I mentioned my difficulty to my companion, who thought for a moment, and then suddenly said—

“I see how it is. It has been turned with its face to the wall.”

I said no word but hung up the picture again; and we went back to the boudoir.

On the way I began to think that my fears were too wildly improbable to bear to be spoken about. It was so hard to believe in the horrors of darkness when the sunlight was falling brightly around me. The same idea seemed to have struck Mrs. Trevor, for she said, when we entered the room:

“Frank, it strikes me that we are both rather silly to let our imaginations carry us away so. The story is merely a tradition, and we know how report distorts even the most innocent facts. It is true that the Fothering family was formerly connected with the Kirks, and that the picture is that of the Miss Kirk who married against her father’s will; it is likely that he quarrelled with her for so doing, and had her picture turned to the wall—a common trick of angry fathers at all times—but that is all. There can be nothing beyond that. Let us not think any more upon the subject, as it is one likely to lead us into absurdities. However, the picture is a really beautiful one—independent of its being such a likeness of Diana, and I will have it placed in the dining-room.”

The change was effected that afternoon, but she did not again allude to the subject. She appeared, when talking to me, to be a little constrained in manner—a very unusual thing with her, and seemed to fear that I would renew the forbidden topic. I think that she did not wish to let her imagination lead her astray, and was distrustful of herself. However, the feeling of constraint wore off before night—but she did not renew the subject.

I slept well that night, without dreams of any kind; and next morning—the third to-morrow promised in the dream—when I came down to breakfast, I was told that I would see Miss Fothering before that evening.

I could not help blushing, and stammered out some commonplace remark, and then glancing up, feeling very sheepish, I saw my hostess looking at me with her kindly smile intensified. She said:

“Do you know, Frank, I felt quite frightened yesterday when we were looking at the picture; but I have been thinking the matter over since, and have come to the conclusion that my folly was perfectly unfounded. I am sure you agree with me. In fact, I look now upon our fright as a good joke, and will tell it to Diana when she arrives.”