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Chapters (45)
  1. Cover
  2. Title Page
  3. Dedication
  4. CHAPTER ONE
  5. CHAPTER TWO
  6. CHAPTER THREE
  7. Happy Birthday in Jazz Clarinet
  8. CHAPTER FOUR
  9. CHAPTER FIVE
  10. CHAPTER SIX
  11. Natalie vs. Reid
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. The First Chair Wars
  15. CHAPTER NINE
  16. CHAPTER TEN
  17. CHAPTER ELEVEN
  18. Outplayed
  19. CHAPTER TWELVE
  20. CHAPTER THIRTEEN
  21. CHAPTER FOURTEEN
  22. The Prank War
  23. CHAPTER FIFTEEN
  24. CHAPTER SIXTEEN
  25. CHAPTER SEVENTEEN
  26. The Setup
  27. CHAPTER EIGHTEEN
  28. CHAPTER NINETEEN
  29. CHAPTER TWENTY
  30. Aaron Jacobson’s Protégé
  31. CHAPTER TWENTY-ONE
  32. CHAPTER TWENTY-TWO
  33. CHAPTER TWENTY-THREE
  34. Anything But Music
  35. CHAPTER TWENTY-FOUR
  36. CHAPTER TWENTY-FIVE
  37. CHAPTER TWENTY-SIX
  38. CHAPTER TWENTY-SEVEN
  39. CHAPTER TWENTY-EIGHT
  40. CHAPTER TWENTY-NINE
  41. CHAPTER THIRTY
  42. Acknowledgments
  43. More from the Author
  44. About the Author
  45. Also by Marisa Kanter

I am outlining Melted: The Musical at my kitchen table, attempting to envision a musical version. At its heart, Melted is about Adina and Emma trying to save a world on fire, about learning to lean on each other and reversing a climate crisis. Melted was inspired by the very real, constant anxiety my friends and I feel over the future of our planet. How does one… musical that? I don’t have a vision yet. But I need one, ASAP. Because Henry, Reid, and I have our first attempt at collaboration this afternoon. I have zero expectations as to how this will go.

“Hey, Lee.”

I minimize my screen at the sound of my mother’s voice. “Hi.”

Mom enters the kitchen, setting down her laptop on the table. “How’s Melted going?”

“Okay,” I lie. “How’s writing going?”

She opens the fridge and pours cold brew from a pitcher over ice before taking the seat next to me. “I am… cautiously optimistic. My students are actually providing some inspiration.”

“How so?” I ask.

“Well, one of my students, Travis, is in the wrong class. But he didn’t drop it, and I think it’s because he’s into debating the validity of romance novels with Elisa. She absolutely eviscerated his first workshop entry.”

“Literary douchebro in a romance class is a premise I need.”

“I needed it too.” Mom smiles at me and her energy is contagious—almost reminiscent of Before the Block. “I’m twenty thousand words into it… far enough that I need to outline before it all falls apart. Maybe we can have a brainstorm session soon?”

“Definitely,” I say. Brainstorm sessions are a throwback to the time my love for playwriting emerged. We’d spend hours in a back-and-forth flow, pinpointing motivation, heightening stakes, finishing each other’s sentences, and asking leading questions to inspire the next scene. Then we wrote. While Mom worked on her book, I adapted ideas we’d just brainstormed into short scenes, only caring about the dialogue and emotion conveyed in those moments.

Then came the writer’s block. I thought brainstorm sessions would fix it but… they didn’t.

I can’t remember the last time we had one.

“I honestly need it for Melted, now that it’s a musical.”

“Does this mean I can read it?” Mom asks.

“Maybe.” I relent. “If I can read your pages.”

“Deal,” Mom says with a smile. “Maybe. Sometimes I think you’re the only person in the world who still believes in me, Lee.”