Back As If on Cue
Chapters (45)
  1. Cover
  2. Title Page
  3. Dedication
  4. CHAPTER ONE
  5. CHAPTER TWO
  6. CHAPTER THREE
  7. Happy Birthday in Jazz Clarinet
  8. CHAPTER FOUR
  9. CHAPTER FIVE
  10. CHAPTER SIX
  11. Natalie vs. Reid
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. The First Chair Wars
  15. CHAPTER NINE
  16. CHAPTER TEN
  17. CHAPTER ELEVEN
  18. Outplayed
  19. CHAPTER TWELVE
  20. CHAPTER THIRTEEN
  21. CHAPTER FOURTEEN
  22. The Prank War
  23. CHAPTER FIFTEEN
  24. CHAPTER SIXTEEN
  25. CHAPTER SEVENTEEN
  26. The Setup
  27. CHAPTER EIGHTEEN
  28. CHAPTER NINETEEN
  29. CHAPTER TWENTY
  30. Aaron Jacobson’s Protégé
  31. CHAPTER TWENTY-ONE
  32. CHAPTER TWENTY-TWO
  33. CHAPTER TWENTY-THREE
  34. Anything But Music
  35. CHAPTER TWENTY-FOUR
  36. CHAPTER TWENTY-FIVE
  37. CHAPTER TWENTY-SIX
  38. CHAPTER TWENTY-SEVEN
  39. CHAPTER TWENTY-EIGHT
  40. CHAPTER TWENTY-NINE
  41. CHAPTER THIRTY
  42. Acknowledgments
  43. More from the Author
  44. About the Author
  45. Also by Marisa Kanter

I cup my hands around my lips and mouth H-E-R-O to Fitz as she saunters down the bleacher steps and follows Mulaney out the double doors, middle finger flipped behind her back.

“That went well,” Henry mutters.

His voice drips with sarcasm, totally oblivious to the mini-movement happening before us. Because the non-band students straight up applaud Fitz as she exits the gym on Mulaney’s heels. In my head, it’s an aria, crescendoing from pianissimo to forte. In reality, it’s a few dozen teenagers. But I see it. A clear division between band and the other arts clubs forming. Now that they know there’s injustice in these budget cuts, they’re not so willing to let them go.

It’s an opportunity. I feel it in my bones.

This isn’t over.

Independent Study now fills the empty block between AP Psychology and AP Chemistry.

It’s not a plot twist, but even two weeks in it still hurts. Study period replaces Improv 101 in my otherwise aggressively AP junior year schedule. My low-stress palate cleanser between science classes has been rendered an empty space. A glorified comma, as Mom would say.

“Is this level?” Dad asks.

My study overlaps with Dad’s prep period, so I’m spending it in the music room with him, seated first chair flute. Note, this is not a choice—Dad used his teacher power to have Ms. Rodkey, the school secretary, summon me to his classroom via the loudspeaker. Peak embarrassing. That’s when I knew for sure he was not happy about the assembly.

I don’t care. I’m pissed too.

I stuff my purple folder into my bag and look up. Dad’s standing on a black metal band chair, arms outstretched to hang a poster above his desk. It features an animated treble clef—with shoes—that reads I KNEW YOU WERE TREBLE WHEN YOU WALKED IN.

I can’t believe his students think he’s cool.

“Tilt it a little to the left,” I say.

Dad makes the adjustment and presses his palms against the poster, sticking it to the wall.

I press my lips in a firm line. I expected traitor to spill out the moment I walked into his classroom as easily as it did at the assembly. I’m not sure why. If the choice is stew in awkward silence or engage in an honest conversation, Dad and I will stew all day. So stew in the band room I do. With enough space for a full student orchestra, multilevel floor included—it’s pretty much a dream classroom. Chairs are spaced evenly apart on the three tiers; music stands hang in racks on the back wall, which is decorated with a wide range of music theory posters.

Dad steps down, takes a seat in his rolling desk chair, and wiggles the mouse to wake up his desktop. The screen is angled toward me, opened to the roster for Composition, Beginner.