Back As If on Cue
Chapters (45)
  1. Cover
  2. Title Page
  3. Dedication
  4. CHAPTER ONE
  5. CHAPTER TWO
  6. CHAPTER THREE
  7. Happy Birthday in Jazz Clarinet
  8. CHAPTER FOUR
  9. CHAPTER FIVE
  10. CHAPTER SIX
  11. Natalie vs. Reid
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. The First Chair Wars
  15. CHAPTER NINE
  16. CHAPTER TEN
  17. CHAPTER ELEVEN
  18. Outplayed
  19. CHAPTER TWELVE
  20. CHAPTER THIRTEEN
  21. CHAPTER FOURTEEN
  22. The Prank War
  23. CHAPTER FIFTEEN
  24. CHAPTER SIXTEEN
  25. CHAPTER SEVENTEEN
  26. The Setup
  27. CHAPTER EIGHTEEN
  28. CHAPTER NINETEEN
  29. CHAPTER TWENTY
  30. Aaron Jacobson’s Protégé
  31. CHAPTER TWENTY-ONE
  32. CHAPTER TWENTY-TWO
  33. CHAPTER TWENTY-THREE
  34. Anything But Music
  35. CHAPTER TWENTY-FOUR
  36. CHAPTER TWENTY-FIVE
  37. CHAPTER TWENTY-SIX
  38. CHAPTER TWENTY-SEVEN
  39. CHAPTER TWENTY-EIGHT
  40. CHAPTER TWENTY-NINE
  41. CHAPTER THIRTY
  42. Acknowledgments
  43. More from the Author
  44. About the Author
  45. Also by Marisa Kanter

“You were humming the melody during breakfast,” Reid says.

I shake my head. “I was not.”

“You were!”

No way. “I don’t sing. Not at breakfast. Not in front of you.”

“You were humming. Whatever. The point is the stripped-down version we wrote is great. Fitz would monologue the hell out of it. But I’m still imagining it as a song. I think you are too.”

I sigh. “You’re wrong.”

As if on cue, Fitz slips and falls on her ass midsong.

“I’m okay!” she yells over the music.

“Ugh.” I groan into my hands.

To cut one of my best friends for a better show… or cast someone who can’t sing and has no rhythm in a leading role in a muscical?

Okay. When I put it like that, the choice sounds obvious.

But it’s an impossible decision.

“It’s not personal,” Reid says. “It’s an audition.”

Danica, satisfied everyone sans Fitz knows the steps as well as they can, jumps off the stage, jogs over to us, and takes her seat with the judges. It’s unfair how good she looks in MC Hammer pants and a loose crop top tank, her dark hair pulled back in a wavy ponytail, a black baseball hat on her head. She collapses into the seat next to me with a loud exhale.

“Cue music,” Danica yells.

Makayla, who in addition to being an incredible artist is also a secret tech wizard, has been commanding the sound booth with Arjun. Music fills the auditorium, an upbeat Bruno Mars song, and the tappers are tapping. It is… interesting? The sounds are not all in sync, arms are flailing, and it’s kind of a mess. But there is potential, I think. Emerson is annoyingly great. Toby, a junior who is the top contender to play Moritz, doesn’t fall on his face. Everyone miraculously ends on the same beat. I start to actually get excited about it.

“Again,” Danica yells. “It’s shuffle hop step toe toe heel heel! Not toe heel toe heel!”

It takes three more rounds for almost everyone to nail the basic choreography. Then Danica breaks the dancers into smaller groups so we can assess each individually. This goes on for about an hour, until Danica is satisfied. Thirty minutes or so into it, Henry steps away from the wings, joining us in the audience and taking the empty seat on the other side of Danica.

Danica is literally between us.

The metaphor is not lost on me, but I avoid eye contact through the rest of the tap routine.