Back As If on Cue
Chapters (45)
  1. Cover
  2. Title Page
  3. Dedication
  4. CHAPTER ONE
  5. CHAPTER TWO
  6. CHAPTER THREE
  7. Happy Birthday in Jazz Clarinet
  8. CHAPTER FOUR
  9. CHAPTER FIVE
  10. CHAPTER SIX
  11. Natalie vs. Reid
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. The First Chair Wars
  15. CHAPTER NINE
  16. CHAPTER TEN
  17. CHAPTER ELEVEN
  18. Outplayed
  19. CHAPTER TWELVE
  20. CHAPTER THIRTEEN
  21. CHAPTER FOURTEEN
  22. The Prank War
  23. CHAPTER FIFTEEN
  24. CHAPTER SIXTEEN
  25. CHAPTER SEVENTEEN
  26. The Setup
  27. CHAPTER EIGHTEEN
  28. CHAPTER NINETEEN
  29. CHAPTER TWENTY
  30. Aaron Jacobson’s Protégé
  31. CHAPTER TWENTY-ONE
  32. CHAPTER TWENTY-TWO
  33. CHAPTER TWENTY-THREE
  34. Anything But Music
  35. CHAPTER TWENTY-FOUR
  36. CHAPTER TWENTY-FIVE
  37. CHAPTER TWENTY-SIX
  38. CHAPTER TWENTY-SEVEN
  39. CHAPTER TWENTY-EIGHT
  40. CHAPTER TWENTY-NINE
  41. CHAPTER THIRTY
  42. Acknowledgments
  43. More from the Author
  44. About the Author
  45. Also by Marisa Kanter

Reid nods. “It’s a long shot, so why start anything? My parents are pushing the traditional route hard. My dad says he won’t partially finance a useless art degree. It’s like my parents forget there are people behind the art they love to consume. People like me. It’s not even about the money. I’d have loans either way. It’s more like…” Reid trails off again. “I’m sorry. I don’t know why I’m telling you this.”

Me either.

Reid venting in the middle of the night is the opposite of normal. I mean, I’ve known things with his parents were tense re: conservatory. I’ve always appreciated Rebecca and Leonard’s pragmatism. But listening to Reid talk about experiencing it… I’m not sure I do anymore. It’s, like, no wonder he’s so intense about music.

He has something to prove.

“Anyway, you’re lucky,” Reid continues, filling the silence. “Your parents are the best. I don’t know what I’d do without your dad.”

And there it is. Why I don’t lean into clarinet conversations. I wait for the flood of angst and animosity to come. The typical reaction to push away that I am so accustomed to. But it doesn’t. Maybe I’m overtired. Maybe The Lion King epiphany had more of an impact than I thought. Maybe it’s just nice talking to Reid without having to think about how it could be used against me.

“Yeah, I am. But you are too.”

There’s a pause.

It’s late.

I should say goodnight.

“Well—”

Reid cuts me off. “Can I ask you something? Now that I bared my soul.”

My heart beats in double time. “Maybe.”

“We collaborated,” Reid says. “Like, all week.”

“That’s not a question.”

“I know.” Reid runs his hand through his hair and bites his lower lip. “Sorry. I’m still processing. I don’t know. I’m still me. You’re still you. Except, you’re serious. It’s more than the truce and it’s more than saving your club. What changed? Besides ‘Hakuna Matata.’ ”

I process Reid’s question and the earnestness in his voice.

It takes everything in me to not panic disconnect. Because this feels intimate. Our faces may be on screens, but they’re closer than they’ve ever been. Every expression is on display—the quirk of Reid’s eyebrow, the intensity in the way his eyes hold mine.

There is nowhere to hide.

Nothing to stop me from admitting to myself that Reid’s face is… not a bad-looking face.

Objectively.

Oh my God.

I have never wished harder for the ability to delete a thought.

So I pivot to a distraction. The truth.

“I overheard my parents talking a few weeks ago. About potential layoffs.”

Even in the dark, I see the color drain from Reid’s face. “Shit.”