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Chapters (98)
  1. Title Page
  2. Copyright Notice
  3. Dedication
  4. Who’s Who in Anna K(in order of appearance)
  5. Part One
  6. I
  7. II
  8. III
  9. IV
  10. V
  11. VI
  12. VII
  13. VIII
  14. IX
  15. X
  16. XI
  17. XII
  18. XIII
  19. XIV
  20. XV
  21. XVI
  22. XVII
  23. XVIII
  24. XIX
  25. XX
  26. XXII
  27. XXIII
  28. XXIV
  29. XXV
  30. XXVI
  31. XXVII
  32. Part Two
  33. I
  34. II
  35. III
  36. IV
  37. V
  38. VI
  39. VII
  40. VIII
  41. IX
  42. X
  43. XI
  44. XII
  45. XIII
  46. XIV
  47. XV
  48. XVI
  49. XVII
  50. XVIII
  51. XIX
  52. XX
  53. XXI
  54. XXII
  55. XXIII
  56. XXIV
  57. XXV
  58. XXVI
  59. XXVII
  60. XXVIII
  61. XXIX
  62. Part Three
  63. I
  64. II
  65. III
  66. IV
  67. V
  68. VI
  69. VII
  70. VIII
  71. IX
  72. X
  73. XI
  74. XII
  75. XIII
  76. XIV
  77. XV
  78. XVI
  79. XVII
  80. XVIII
  81. XIX
  82. XX
  83. XXI
  84. XXII
  85. XXIII
  86. XXIV
  87. XXV
  88. XXVI
  89. XXVII
  90. XXVIII
  91. XXIX
  92. Epilogue
  93. Author's NoteWhen Jenny Met Anna
  94. Acknowledgments
  95. About the Author
  96. Newsletter Sign-up
  97. Contents
  98. Copyright

Lolly was of course concerned about Kimmie, but she truly believed her younger sister would be fine, and she was super excited to be included in Beatrice’s A-list inner circle, which she knew was only because of Anna. She had seen pictures of Beatrice’s country house in one of her mom’s back issues of Architectural Digest, and the property was incredible. Each of the eight bedrooms were decorated in the style of various historical decades, starting with the roaring twenties and including all the fun decades—the Stepford Wife fifties, the groovy sixties, the disco seventies, the feather-haired eighties—but skipping the depressing ones that involved the Great Depression and those world wars. Every room contained a custom jukebox that supplied a soundtrack of music from that decade in time.

Normally, Beatrice assigned everyone a number, and that was the order in which the guest got to pick their bedroom. Lolly had her heart set on getting the sixties “make love, not war” bedroom, which would be the best fit for the costume she had chosen for herself, but she didn’t know what number they would get. She was going as young Cher, and she had found a Bob Mackie–inspired jumpsuit with a zipper that went all the way down to her crotch. She had wanted Steven to go as Sonny, of course, but he thought the big pornstache made him look ridiculous. He was going as John Wick, in a Luca Mosca skinny black suit (the same one that Keanu wore in the movie), complete with bullet holes, blood splatter, and a stuffed beagle puppy.

During the car ride, Lolly finally summoned the nerve to ask Anna what she was wearing to the party. She didn’t know why she felt weird about asking, but she did. Perhaps it was because Anna was effortlessly chic and didn’t have to try hard to look beautiful and cool. Anna confessed she still hadn’t decided, but she had a few different options and would decide when they got there. It was exactly this casual confidence that blew Lolly away. Lolly hoped that Anna might volunteer the options she was mulling over, but she didn’t. Anna seemed unusually quiet, but then, Lolly hadn’t ever been on a car trip with her longer than a taxi ride, so perhaps this was what she was always like.