“Very well. We shall act the scene as you have written it. You have found young love and have no time for an old man with a foolish fondness for you. And I, heartbroken, shall retire from the field and set about finding another principal boy. Miss Laburnum might look well in tights,” he mused.

“I’m sorry you had to come all this way for nothing,” Polly said, taking her costume off its hanger.

“Oh, but it wasn’t for nothing,” he said. “I learned a good deal. And I found a theater to house our pantomime. On my way here last night as I came down Shaftesbury, I saw that the Phoenix was standing empty, and I arranged with the owner—an old friend of mine, we did Lear together—to let us use it for Sleeping Beauty. If you should change your mind—”

“I won’t.”

“If you should change your mind,” he repeated firmly, “I shall be there both tonight and tomorrow. I will be backstage looking at possible sets and attempting to forestall the disaster which I know is to come. So if your young man should turn out to be a bounder and a cad, and you should reconsider—”

“I’ll know where to find you,” she said lightly, stepping behind the screen. “Now, I’m afraid I really must change. Goodbye.” She shrugged off her wrapper and flung it carelessly over the screen. “Tell everyone hullo for me, won’t you?”

“Yes,” he said, and after a pause, added, “my lady.”

And it was a good thing she was behind the screen, that he couldn’t see her face, because that was the line from Lady Mary’s final scene with Crichton. She had to clutch her costume to her chest to keep from holding her hand impulsively out to him as Lady Mary had done, to keep from saying, “I will never give you up.”

She swallowed hard. “Tell them to break a leg,” she said lightly.

There was no answer, and when she peeked around the screen a long minute later, he was gone. For good. Because that was what that last scene of The Admirable Crichton was all about, lovers parting forever. And that was what she’d wanted, wasn’t it? What she’d—

The girls came tumbling through the door, grabbing costumes, plunking down to touch up their makeup. “No wonder you wouldn’t go out with the stage-door hangers-on,” Cora said. “Clever girl. You had your eyes on something much better, didn’t you?”

Polly didn’t answer. She stepped into her costume and turned to have Hattie do the slide fastener.

“What I don’t understand is, what are you doing at ENSA?” Hattie asked. “He could get you a part in a real show.”

Reggie leaned in again. “Curtain.”

Polly hurried onstage, glad to have something to take her mind off Sir Godfrey. When she came off, Mr. Tabbitt told her to go change into her Air Raid Adelaide costume.

“But what about the barrage-balloon skit?”

“Cora can do it,” he said. “I have a feeling the raids are going to be bad tonight.”