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Contents ( 71)
  1. Contents
  2. London—26 October 1940
  3. London—7 May 1945
  4. London—26 October 1940
  5. Bethnal Green—June 1944
  6. London—26 October 1940
  7. Kent—April 1944
  8. London—27 October 1940
  9. London—November 1940
  10. Kent—April 1944
  11. Golders Green—July 1944
  12. London—November 1940
  13. Kent—April 1944
  14. London—November 1940
  15. London—November 1940
  16. Oxford—April 2060
  17. Bletchley—November 1940
  18. Dulwich—Summer 1944
  19. London—November 1940
  20. Bletchley—December 1940
  21. Dulwich—Summer 1944
  22. London—December 1940
  23. Oxford—April 2060
  24. London—December 1940
  25. Saltram-on-Sea—December 1940
  26. London—December 1940
  27. London—December 1940
  28. London—29 December 1940
  29. St. Paul’s Cathedral—29 December 1940
  30. St. Paul’s Cathedral—29 December 1940
  31. Ludgate Hill—29 December 1940
  32. Blackfriars Tube Station—29 December 1940
  33. St. Paul’s Cathedral—29 December 1940
  34. The City—29 December 1940
  35. St. Bartholomew’s Hospital—30 December 1940
  36. St. Paul’s Cathedral—30 December 1940
  37. Croydon—October 1944
  38. London—Winter 1941
  39. London—Winter 1941
  40. Croydon—October 1944
  41. London—Winter 1941
  42. London—7 May 1945
  43. London—Winter 1941
  44. London—Winter 1941
  45. London—Winter 1941
  46. London—Winter 1941
  47. Kent—April 1944
  48. Imperial War Museum, London—7 May 1995
  49. Dover—April 1944
  50. Imperial War Museum, London—7 May 1995
  51. Wales—May 1944
  52. London—Spring 1941
  53. London—May 1944
  54. London—Spring 1941
  55. Imperial War Museum, London—7 May 1995
  56. Kent—June 1944
  57. Imperial War Museum, London—7 May 1995
  58. Kent—October 1944
  59. London—Spring 1941
  60. Croydon—October 1944
  61. London—Spring 1941
  62. London—Spring 1941
  63. London—Spring 1941
  64. Imperial War Museum, London—7 May 1995
  65. London—19 April 1941
  66. London—19 April 1941
  67. Imperial War Museum, London—7 May 1995
  68. London—7 May 1945
  69. London—19 April 1941
  70. ACKNOWLEDGMENTS
  71. ABOUT THE AUTHOR

“I am sorry,” she said carelessly. “I’m afraid I’ve got to go on in a moment.” She bent down and began fastening the gilt strap on her shoe. “I’ve got a costume change.”

“Of course,” he said. “I understand. You mustn’t miss your entrance.” He watched her struggle with the stiff strap for a moment, then stood up and, with great care, took his coat down from the screen and turned to go.

I’ll never see you again, she thought, keeping her eyes firmly on her shoe.

“Goodbye,” she said without looking up.

He moved the chair aside, put his hand to the doorknob, stood there a moment, and then turned back to face her. “Have I ever told you what a wretched actress you are, Viola?”

Her heart began to pound. “I thought you said I was born to be on the stage,” she said, her chin in the air.

“And so I did,” he said, “but not because you could act. Your acting wouldn’t convince Trot. Or Nelson.”

“Well, then it’s a good thing I turned down your offer, isn’t it?” she said angrily. “Luckily, ENSA audiences aren’t quite so critical.” She reached past him for her railway-station costume. “Now, if you’ll forgive me—”

“There is nothing to forgive,” he said, “except perhaps that unnecessarily unkind reference to my age. But then again, you were attempting to send me away—”

And I didn’t succeed, Polly thought despairingly.

“—so you may be excused for employing extreme measures. You are meant for the stage,” he said, “but not for your ability to dissemble. Quite the opposite. It is because everything you feel is there in your face—your thoughts, your hopes—” He looked hard at her. “Your fears. It’s a rare gift—Ellen Terry had it, and, on rare occasions, Sarah Bernhardt—though it is not an unmixed blessing. It makes it quite impossible to lie, as you have so obviously been attempting to do to me for the last quarter of an hour. It is equally obvious you are in some sort of trouble—”

“That’s ridiculous,” she said. “I told you, I’ve met a young man. We’re in love—”

He shook his head. “Whatever your reason for turning down my offer, it is not some green and callow youth you met outside a stage door. It is also clear this trouble is something you think you must face alone, else why would you hide yourself away from your friends?”

He cocked his head inquisitively at her. “Perhaps you are right to do so. Illyria is a dangerous place. But silence is not always the best defense.” He looked at her steadily. “Are you quite certain I can’t help?”

No one can help, Polly thought. And I’m putting you in danger just by standing here talking to you. Please go away. If you love me, please …

“Two minutes,” Reggie said, sticking his head in the door, and she had never been so glad to see anyone in her life.

“Coming,” she called. “It was ever so nice to have seen you, Sir Godfrey, but as you can see, I have a show to do—”