Contents (71)
- Contents
- London—26 October 1940
- London—7 May 1945
- London—26 October 1940
- Bethnal Green—June 1944
- London—26 October 1940
- Kent—April 1944
- London—27 October 1940
- London—November 1940
- Kent—April 1944
- Golders Green—July 1944
- London—November 1940
- Kent—April 1944
- London—November 1940
- London—November 1940
- Oxford—April 2060
- Bletchley—November 1940
- Dulwich—Summer 1944
- London—November 1940
- Bletchley—December 1940
- Dulwich—Summer 1944
- London—December 1940
- Oxford—April 2060
- London—December 1940
- Saltram-on-Sea—December 1940
- London—December 1940
- London—December 1940
- London—29 December 1940
- St. Paul’s Cathedral—29 December 1940
- St. Paul’s Cathedral—29 December 1940
- Ludgate Hill—29 December 1940
- Blackfriars Tube Station—29 December 1940
- St. Paul’s Cathedral—29 December 1940
- The City—29 December 1940
- St. Bartholomew’s Hospital—30 December 1940
- St. Paul’s Cathedral—30 December 1940
- Croydon—October 1944
- London—Winter 1941
- London—Winter 1941
- Croydon—October 1944
- London—Winter 1941
- London—7 May 1945
- London—Winter 1941
- London—Winter 1941
- London—Winter 1941
- London—Winter 1941
- Kent—April 1944
- Imperial War Museum, London—7 May 1995
- Dover—April 1944
- Imperial War Museum, London—7 May 1995
- Wales—May 1944
- London—Spring 1941
- London—May 1944
- London—Spring 1941
- Imperial War Museum, London—7 May 1995
- Kent—June 1944
- Imperial War Museum, London—7 May 1995
- Kent—October 1944
- London—Spring 1941
- Croydon—October 1944
- London—Spring 1941
- London—Spring 1941
- London—Spring 1941
- Imperial War Museum, London—7 May 1995
- London—19 April 1941
- London—19 April 1941
- Imperial War Museum, London—7 May 1995
- London—7 May 1945
- London—19 April 1941
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
If. The printing press was shooting out pages at a steady clip, with no sign of jamming. Why, tonight of all nights, had it decided to run properly? And why had he thought using phrases such as “historic architecture” was a good idea?
Where were the U’s? He slotted the finished stick of type into place and grabbed an empty one.
His ears pricked up at the sound of a rattle. Good, the printing press was up to its old tricks. Where the bloody hell were the C’s?
The rattle grew louder and more clanking. It sounded like a wrench had got caught in the gears. “Shut it off!” he shouted, though in another minute he wouldn’t need to. The press would rattle itself apart.
“What?” Mr. Jeppers cupped his hand behind his ear.
“Something’s wrong with the printing press!” Ernest shouted, jabbing his finger at it. “That rattle. It’s—”
The noise cut off abruptly. “Rattle?” Mr. Jeppers shouted over the sound of the smoothly running press. “I can’t hear anything!”
That’s because it’s stopped, Ernest thought. And then, What if that was a doodle—?
But there was no time to complete the thought or shout to Mr. Jeppers or run. No time.
Our little life is rounded with a sleep.
—WILLIAM SHAKESPEARE, THE TEMPEST
London—Spring 1941
SOMEONE WAS CALLING HER. THE ALL CLEAR MUST HAVE gone, she thought, but it was Sir Godfrey. “Wake up,” he said sternly. “Can you hear me, miss?”
Her head ached. I must have nodded off during rehearsal. He’ll be furious. And then, It can’t be Sir Godfrey, he always calls me Viola, and remembered where they were.
They were still in the bombed theater, and she was lying on top of Sir Godfrey, her full weight pressing down on him. “I’m sorry, Sir Godfrey,” she said. “I must have fallen on you when I passed out.”
He didn’t answer.
“Sir Godfrey? Wake up,” she said, and attempted to shift herself off him, but the effort made her head ache worse.
“Don’t try to move, miss, we’re coming,” the voice said from somewhere above them. “Careful. I can smell gas.”
“Sir Godfrey,” she said, but he didn’t respond.
And she should have known she couldn’t save him, that they would come too late. “Oh, Sir Godfrey, I am so sorry,” she murmured, and laid her head against his shoulder.
“Miss!” the voice said imperatively. “Are you trapped?”
Yes, she thought, and then hands were reaching down, lifting her off Sir Godfrey.
“No, you mustn’t, he’s bleeding,” she protested, but they had already pulled her out of the hole and sat her down, and now they were lifting the theater seats from Sir Godfrey’s legs, placing a jack under a pillar, jumping down into the hole, bending over him.
“Was there anyone else in the theater when the bomb hit, miss?” the one who’d pulled her out asked.
“I don’t know. I wasn’t here. When I saw the theater’d been hit, I came to find Sir Godfrey, and I caught my heel,” she said, trying to explain, “and while I was trying to free it, I heard his voice—”