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Chapters (76)
  1. Cover
  2. Praise forMATTHEW HARFFY
  3. BY MATTHEW HARFFY
  4. Title Page
  5. Copyright
  6. Dedication
  7. Maps
  8. Epigraph
  9. Contents
  10. Place Names
  11. One
  12. Two
  13. Three
  14. Four
  15. Five
  16. Six
  17. Seven
  18. Eight
  19. Nine
  20. Ten
  21. Eleven
  22. Twelve
  23. Thirteen
  24. Fourteen
  25. Fifteen
  26. Sixteen
  27. Seventeen
  28. Eighteen
  29. Nineteen
  30. Twenty
  31. Twenty-One
  32. Twenty-Two
  33. Twenty-Three
  34. Twenty-Four
  35. Twenty-Five
  36. Twenty-Six
  37. Twenty-Seven
  38. Twenty-Eight
  39. Twenty-Nine
  40. Thirty
  41. Thirty-One
  42. Thirty-Two
  43. Thirty-Three
  44. Thirty-Four
  45. Thirty-Five
  46. Thirty-Six
  47. Thirty-Seven
  48. Thirty-Eight
  49. Thirty-Nine
  50. Forty
  51. Forty-One
  52. Forty-Two
  53. Forty-Three
  54. Forty-Four
  55. Forty-Five
  56. Forty-Six
  57. Forty-Seven
  58. Forty-Eight
  59. Forty-Nine
  60. Fifty
  61. Fifty-One
  62. Fifty-Two
  63. Fifty-Three
  64. Fifty-Four
  65. Fifty-Five
  66. Fifty-Six
  67. Fifty-Seven
  68. Fifty-Eight
  69. Fifty-Nine
  70. Sixty
  71. Sixty-One
  72. Sixty-Two
  73. Author’s Note
  74. Acknowledgements
  75. About the Author
  76. An Invitation from the Publisher

Much of the novel takes place around and aboard ships and river vessels. The techniques Runolf employs to build Brymsteda are as authentic as I could ascertain. While researching I was surprised to learn that new, unseasoned wood was commonly used and even preferred for the strakes. It also surprised me that sails were made from wool. It didn’t immediately strike me as a textile suited to holding the wind and not becoming waterlogged. However, remnants of Viking sails have been found and they were indeed made from wool. Sheep and wool were a major commodity in the early medieval period, with it being estimated that the wool from four hundred sheep would be needed to manufacture all the textiles required to fit out a typical Viking ship, including the sail and all the clothes and blankets. Making the sail was a laborious process, with rooing (basically pulling the fleece out by hand), separating the under coat wool from the outer coat, carding, spinning, weaving the two types of yarn together, fulling and drying, stretching, and finally coating with oil or fat to act as a sealant and waterproofing layer. The whole process from collecting the wool to finished sailcloth took about two years, so you can see why Runolf would be pleased to find a sail and rope he could reuse following the destruction of the raiders’ ships after their failed attack on the monasteries of Jarrow and Monkwearmouth.

Lots of the details about sailing a Viking longship came from a wonderful documentary I found about the Sea Stallion of Glendalough, a reconstruction of the great longship Skuldelev 2, built by the Viking Ship Museum in Roskilde, Denmark, and then sailed to Ireland and later back again in 2007/2008. There are several other such practical archaeology projects, with reconstructions of traditionally made Viking Age craft, and as a novelist, I get a lot more out of seeing and hearing how people interact with the real thing than just reading about it in a dry archaeological report.

I have not stuck to the tradition of referring to ships and boats as females. It is not clear where this tradition comes from, but there is no evidence that ships were referred to as feminine in the early medieval period. In fact there are documented instances of Vikings referring to their ships as masculine. In the end I decided to refer to ships as neutral objects, despite the powerful spiritual connection their owners had with them.

Orkney became part of Norway in 875 when Harold Hårfagre (“Fair Hair”) annexed the islands along with Shetland. In 794 the islands were still part of Pictland, and it is unlikely, though not impossible, that the Vikings would have had a permanent base there. The name, Tannskári, comes from the possible derivation of the place name Tankerness. A ness is a promontory.