Back A Goat's Song
Chapters (43)
  1. Cover
  2. About the Author
  3. Also by Dermot Healy
  4. Praise
  5. A GOAT’S SONG
  6. I. Christmas Day in the Workhouse
  7. 1. Waiting for Catherine
  8. 2. Walking the Triangle
  9. 3. A Taxi Through New York at Midnight
  10. 4. Shangrila
  11. 5. The Nomads
  12. 6. Christmas Morning
  13. 7. The Love Object
  14. 8. The Cockatiel
  15. II. The Salmon of Knowledge
  16. 9. The Death of Matti Bonner
  17. 10. The Fenian Ledger
  18. 11. The News at Six
  19. 12. The Summer Home
  20. 13. The Outsiders
  21. 14. As Gaelige
  22. 15. O’Muichin and the Cléirseach
  23. 16. The Salmon of Knowledge
  24. III. The Hares
  25. 17. The Mourners
  26. 18. The Greatest Man in Ballyconeely
  27. 19. Oh No, Don’t Stop the Carnival
  28. 20. The Illustrated Sons of Ireland
  29. 21. The Sea
  30. 22. Through the Downhill Tunnel
  31. 23. The Irishman
  32. 24. Madame George
  33. 25. What Did Shamey Coyle Do When He Left Prison?
  34. IV. The Musical Bridge
  35. 26. Flying in Belfast
  36. 27. Crossing the Musical Bridge
  37. 28. Searching for Jack in Yeats’ County
  38. 29. Guilt–tripping
  39. 30. Corrloch
  40. 31. The Cuckoo Mocks the Corncrake
  41. 32. A Time of Big Seas
  42. 33. Popular Songs
  43. 34. Happiness

It is said the spirit of the suicide lingers near the body of the dead person for a very short time. It could well be reasoned that the man who commits suicide has, long before he dies, begun to mourn his own death. When a person dies in an accident, you would expect their spirit to hover around for days, for years. When sickness claims someone, you would expect their spirit to be reluctant to leave, for that person wanted to live. The spirit would long to caress fondly the body in which it once existed, would spread itself round the aged corpse of the cancer-ridden young woman that stood in her prime some months before. But you would expect the spirit of the suicide to part quickly from the physical body which had rejected it. That was Jonathan Adams’ conjecture. He had seen many that died sudden physical deaths, or had endured long drawn out agonies. And their spirit seemed assured of a long stay in the minds and presences of those that had known them. But now, with Matti Bonner’s death, he found the dead man’s spirit would not leave his consciousness. Not because it could not find peace, but out of perversity against the physical world that had rejected it.

The village seemed to harbour a vengeful spirit. The death of Matti Bonner and the melee in Duke Street became linked in a fatal manner in the Sergeant’s mind.

Often, in the old days, he used call down to his neighbour. And he’d witness some extraordinary things. The act of life itself was a miracle in Jonathan Adams’ eyes. It seemed at its most fruitful in Matti Bonner. He had a small, cramped, natural face, thin, muscled arms, long legs, and farmer’s hands. He seemed always a satisfied soul, satisfied with his bare routine, his tuneful language, his pathos. That anything even faintly like despair could have occupied his neighbour’s mind was beyond Jonathan Adams. He found Matti the job at the station, but it was with a heavy heart that the Sergeant watched the wire grids go up. That country stations should be fenced in was to declare to the world: This is not only a war, it is going to be a long war.

For a while the police took shelter there and the British Army took to the streets. And it bred in the police a hopelessness, for they had been trained as an army. There was cowardice in handing over the fighting to another battalion. But because they had always been armed, they had never been real policemen – not as in Britain or the Republic where policemen went unarmed. They had prided themselves on their guns, but now, like a crowd of unruly and cowardly deserters, they had been withdrawn to barracks.

It was a demoralizing blow to the RUC.

The province had been taken out of their hands, all for the sake of propaganda.