Back A Goat's Song
Chapters (43)
  1. Cover
  2. About the Author
  3. Also by Dermot Healy
  4. Praise
  5. A GOAT’S SONG
  6. I. Christmas Day in the Workhouse
  7. 1. Waiting for Catherine
  8. 2. Walking the Triangle
  9. 3. A Taxi Through New York at Midnight
  10. 4. Shangrila
  11. 5. The Nomads
  12. 6. Christmas Morning
  13. 7. The Love Object
  14. 8. The Cockatiel
  15. II. The Salmon of Knowledge
  16. 9. The Death of Matti Bonner
  17. 10. The Fenian Ledger
  18. 11. The News at Six
  19. 12. The Summer Home
  20. 13. The Outsiders
  21. 14. As Gaelige
  22. 15. O’Muichin and the Cléirseach
  23. 16. The Salmon of Knowledge
  24. III. The Hares
  25. 17. The Mourners
  26. 18. The Greatest Man in Ballyconeely
  27. 19. Oh No, Don’t Stop the Carnival
  28. 20. The Illustrated Sons of Ireland
  29. 21. The Sea
  30. 22. Through the Downhill Tunnel
  31. 23. The Irishman
  32. 24. Madame George
  33. 25. What Did Shamey Coyle Do When He Left Prison?
  34. IV. The Musical Bridge
  35. 26. Flying in Belfast
  36. 27. Crossing the Musical Bridge
  37. 28. Searching for Jack in Yeats’ County
  38. 29. Guilt–tripping
  39. 30. Corrloch
  40. 31. The Cuckoo Mocks the Corncrake
  41. 32. A Time of Big Seas
  42. 33. Popular Songs
  43. 34. Happiness

Jonathan Adams loved his village. It was neat like the interior of his house. It was ordered, civic, with houses of cut stone, with fine mill walls, a clear stream, fields of potatoes, window boxes with wild flowers in bloom, with the same wild flowers in bloom under the mill walls. Sheep grazed in an orderly fashion and were daubed neatly at the same precise spot, great Charolais cattle grazed, antiques sat on shelves, in gardens, on floors where they had stood for over a hundred years. Eagles from a stonemason’s yard in Enniskillen sat on all the piers.

Everywhere was the same healthy tradition and yet now Jonathan Adams found himself removed from it all.

He did not walk the village any more, only took the few steps from his car that led to the new barrier at the station. In time he drove out of the garage adjoining his house and entered the station through a gate that closed automatically behind him. So, in fact, he never had to encounter the public at all. And the first thing he heard, the first thing the new shift heard as they approached the station, was Matti Bonner whistling. He was whistling “Mary from Dunloe”. In time, as the policemen sat into their cars to drive to some new crisis area, they stole his tune. They were whistling a tune about love in the Republic they despised. And when Matti Bonner went home he had taken away something from them. The dryness came with him. The smell of fear.

It was Sergeant Adams had arranged for the Catholic labourer to find work there. He was his neighbour. It did not strike him as ironic that a Catholic should put up defences that other Catholics would tear down, defences against which other Catholics would hurl stones, petrol bombs, and then, as the war progressed, mortar bombs. He was not to know that the American and Russian rifles he had read about, and which appeared so far away and exotic, would one day be homing in on men who wore his uniform. Or that in a few years workmen like Matti Bonner would have been murdered for collaborating with the enemy. He did not foresee the day when the IRA would get that well organized. For him, Matti Bonner was a man who provoked care and curiosity, who had a knack with machines, who caused no trouble, who spoke contemptuously of priests, who had witnessed his nuptials, who would listen sheepishly to Sergeant Adams’ speculations about the hereafter. We can talk about things, Sergeant Adams would say, we are ordinary men.

Nevertheless, when Matti Bonner died, he would have wished a priest was with him.