Chapters (43)
- Cover
- About the Author
- Also by Dermot Healy
- Praise
- A GOAT’S SONG
- I. Christmas Day in the Workhouse
- 1. Waiting for Catherine
- 2. Walking the Triangle
- 3. A Taxi Through New York at Midnight
- 4. Shangrila
- 5. The Nomads
- 6. Christmas Morning
- 7. The Love Object
- 8. The Cockatiel
- II. The Salmon of Knowledge
- 9. The Death of Matti Bonner
- 10. The Fenian Ledger
- 11. The News at Six
- 12. The Summer Home
- 13. The Outsiders
- 14. As Gaelige
- 15. O’Muichin and the Cléirseach
- 16. The Salmon of Knowledge
- III. The Hares
- 17. The Mourners
- 18. The Greatest Man in Ballyconeely
- 19. Oh No, Don’t Stop the Carnival
- 20. The Illustrated Sons of Ireland
- 21. The Sea
- 22. Through the Downhill Tunnel
- 23. The Irishman
- 24. Madame George
- 25. What Did Shamey Coyle Do When He Left Prison?
- IV. The Musical Bridge
- 26. Flying in Belfast
- 27. Crossing the Musical Bridge
- 28. Searching for Jack in Yeats’ County
- 29. Guilt–tripping
- 30. Corrloch
- 31. The Cuckoo Mocks the Corncrake
- 32. A Time of Big Seas
- 33. Popular Songs
- 34. Happiness
On opening night, Maisie sat in the second row beside an empty seat. She put her handbag on it and waited. Every so often she looked over her shoulder to see if he had come. The hall filled with the murmur of voices and the crackling of chocolate papers. From behind the curtain came the boom of a microphone, or the clatter of dance steps. The lights were lowered. In the dark Jonathan Adams slipped in beside Maisie. She reached over and took his hand. He heard the opening chorus as if it were coming from a different planet. Then his eyes watered as Catherine, nervous and covered in shiny red make-up, threw her arms dramatically wide, and stamped to the centre of the small stage in her riding boots and buckskin trousers. She pulled out a gun and fired overhead with a quiet click. Offstage, the sound of the shot came seconds later. Then Annie Oakley, with a wild whorish fling, sat on her sister’s shining-trousered knee and, swaying her legs like a trollop, began singing a song whose refrain was taken up by fifty girls dressed as cowboys. And it was a refrain that Jonathan Adams despite himself could not get out of his head that night as he drove through the black lanes of the border country:
Oh, you can’t get a man
with a gun
Oh, you can’t get a man
with a gun
With a gu-un, with a gu-un
No, you can’t get a man
with a gun
Jonathan Adams had learned his lesson.
Now, when he had to accompany Major Bunting and the Reverend Paisley, he always stood at the furthest remove. When the Apprentice Boys marched, he stood in any available laneway away from the action. He heard the shots in Derry that were fired supposedly by the IRA before the British Army shot thirteen dead. A month later, he was standing at the start of a march that set off to commemorate the deaths of the thirteen. He saw assembled there faces he knew from posters, faces of Catholic revolutionaries, Marxists, students. He had got to know them all over the years since that terrible day in Duke Street. He might even have seen Jack Ferris there. He was helpful and tactful. And it was not cowardice, but cunning, that drove him into the background.
He was only waiting to get out. A man of understanding holdeth his peace. The merciful man doeth good to his own soul; but he that is cruel troubleth his own flesh. He learned to hold his peace. To let the law protect him. He must not be one who soweth discord among his brethren.
Not that these Republicans were his brothers.