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Chapters (43)
  1. Cover
  2. About the Author
  3. Also by Dermot Healy
  4. Praise
  5. A GOAT’S SONG
  6. I. Christmas Day in the Workhouse
  7. 1. Waiting for Catherine
  8. 2. Walking the Triangle
  9. 3. A Taxi Through New York at Midnight
  10. 4. Shangrila
  11. 5. The Nomads
  12. 6. Christmas Morning
  13. 7. The Love Object
  14. 8. The Cockatiel
  15. II. The Salmon of Knowledge
  16. 9. The Death of Matti Bonner
  17. 10. The Fenian Ledger
  18. 11. The News at Six
  19. 12. The Summer Home
  20. 13. The Outsiders
  21. 14. As Gaelige
  22. 15. O’Muichin and the Cléirseach
  23. 16. The Salmon of Knowledge
  24. III. The Hares
  25. 17. The Mourners
  26. 18. The Greatest Man in Ballyconeely
  27. 19. Oh No, Don’t Stop the Carnival
  28. 20. The Illustrated Sons of Ireland
  29. 21. The Sea
  30. 22. Through the Downhill Tunnel
  31. 23. The Irishman
  32. 24. Madame George
  33. 25. What Did Shamey Coyle Do When He Left Prison?
  34. IV. The Musical Bridge
  35. 26. Flying in Belfast
  36. 27. Crossing the Musical Bridge
  37. 28. Searching for Jack in Yeats’ County
  38. 29. Guilt–tripping
  39. 30. Corrloch
  40. 31. The Cuckoo Mocks the Corncrake
  41. 32. A Time of Big Seas
  42. 33. Popular Songs
  43. 34. Happiness

On opening night, Maisie sat in the second row beside an empty seat. She put her handbag on it and waited. Every so often she looked over her shoulder to see if he had come. The hall filled with the murmur of voices and the crackling of chocolate papers. From behind the curtain came the boom of a microphone, or the clatter of dance steps. The lights were lowered. In the dark Jonathan Adams slipped in beside Maisie. She reached over and took his hand. He heard the opening chorus as if it were coming from a different planet. Then his eyes watered as Catherine, nervous and covered in shiny red make-up, threw her arms dramatically wide, and stamped to the centre of the small stage in her riding boots and buckskin trousers. She pulled out a gun and fired overhead with a quiet click. Offstage, the sound of the shot came seconds later. Then Annie Oakley, with a wild whorish fling, sat on her sister’s shining-trousered knee and, swaying her legs like a trollop, began singing a song whose refrain was taken up by fifty girls dressed as cowboys. And it was a refrain that Jonathan Adams despite himself could not get out of his head that night as he drove through the black lanes of the border country:

Oh, you can’t get a man

with a gun

Oh, you can’t get a man

with a gun

With a gu-un, with a gu-un

No, you can’t get a man

with a gun

Jonathan Adams had learned his lesson.

Now, when he had to accompany Major Bunting and the Reverend Paisley, he always stood at the furthest remove. When the Apprentice Boys marched, he stood in any available laneway away from the action. He heard the shots in Derry that were fired supposedly by the IRA before the British Army shot thirteen dead. A month later, he was standing at the start of a march that set off to commemorate the deaths of the thirteen. He saw assembled there faces he knew from posters, faces of Catholic revolutionaries, Marxists, students. He had got to know them all over the years since that terrible day in Duke Street. He might even have seen Jack Ferris there. He was helpful and tactful. And it was not cowardice, but cunning, that drove him into the background.

He was only waiting to get out. A man of understanding holdeth his peace. The merciful man doeth good to his own soul; but he that is cruel troubleth his own flesh. He learned to hold his peace. To let the law protect him. He must not be one who soweth discord among his brethren.

Not that these Republicans were his brothers.