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Chapters (43)
  1. Cover
  2. About the Author
  3. Also by Dermot Healy
  4. Praise
  5. A GOAT’S SONG
  6. I. Christmas Day in the Workhouse
  7. 1. Waiting for Catherine
  8. 2. Walking the Triangle
  9. 3. A Taxi Through New York at Midnight
  10. 4. Shangrila
  11. 5. The Nomads
  12. 6. Christmas Morning
  13. 7. The Love Object
  14. 8. The Cockatiel
  15. II. The Salmon of Knowledge
  16. 9. The Death of Matti Bonner
  17. 10. The Fenian Ledger
  18. 11. The News at Six
  19. 12. The Summer Home
  20. 13. The Outsiders
  21. 14. As Gaelige
  22. 15. O’Muichin and the Cléirseach
  23. 16. The Salmon of Knowledge
  24. III. The Hares
  25. 17. The Mourners
  26. 18. The Greatest Man in Ballyconeely
  27. 19. Oh No, Don’t Stop the Carnival
  28. 20. The Illustrated Sons of Ireland
  29. 21. The Sea
  30. 22. Through the Downhill Tunnel
  31. 23. The Irishman
  32. 24. Madame George
  33. 25. What Did Shamey Coyle Do When He Left Prison?
  34. IV. The Musical Bridge
  35. 26. Flying in Belfast
  36. 27. Crossing the Musical Bridge
  37. 28. Searching for Jack in Yeats’ County
  38. 29. Guilt–tripping
  39. 30. Corrloch
  40. 31. The Cuckoo Mocks the Corncrake
  41. 32. A Time of Big Seas
  42. 33. Popular Songs
  43. 34. Happiness

“I did,” said Catherine and she laughed.

When they came down stairs, Sara filled the fridge with parcels of food she’d brought.

“You look terrible,” said Sara. “Where’s your friend?”

“He’s out at sea.”

“Did you go to see a doctor?”

“No.”

“You could have blinded yourself.”

“I’m fine, Sara, it looked worse a few days ago.”

Sara had bloomed, and yet she had become strangely diffident. Only in short rushes would she speak, and deliberately avoided all conversation about her recent fame. Her voice when she did speak had taken on a new fluent actorly inflexion.

“Let’s go out for a walk.”

“I can’t.”

“Tie a scarf over your forehead,” Sara said. “It reminds me of the time you went bald.”

Everywhere they went on Mullet people would stop and gather and stare at Sara.

“Are you Bridie from Glenroe?” people asked, and when she said she was they were astounded to find her there, walking a beach in a remote part of the west of Ireland.

“I told you it was her,” one lady said to her husband. “He said you couldn’t be, but I said you were Bridie. Isn’t that so?”

Sheepishly, the husband nodded.

“I think you do us great credit,” said the woman. “You are the most beautiful looking woman on the television. Isn’t she?”

Again the husband nodded.

Sara signed autographs. She stepped into photographs, and herself and Catherine posed for a group of shark fishermen before a sheer fall into the sea at Eachleim.

“Imagine! Bridie Smith here,” said one local girl when they went into O’Malley’s for a drink. “Imagine that.” And she stared at Sara, and shook her head and put out a finger and touched her. “God help you, but they’re giving you a dreadful time in Glenroe,” she said and clasped her thighs, and delighted by the thought of how fiction removes the pain, she shook with laughter and said: “But you’re well fit for them.”

“So you missed a part in a film, did you?” said Sara, who had her hair cut in a severe parting. She rested her elbow on a wooden ledge to the right of Catherine’s arm.

“Yes.”

She looked into Sara’s eyes seeking there some sympathy, but all she found was ironic detachment.

“You should leave him.”

“As a matter of fact I respect what he’s doing.”

“Oh you do, do you?”

A pale streak of light cut across Sara’s cheeks. Her eyes were self-absorbed, and full of feminine contempt, except when periodically they reflected the glitter of the overhead lights. With a new and childish widening of the pupil, Sara delicately looked round the crowded lounge.

“You could have been more discreet,” she whispered in a tantalizing way.

“I really didn’t want to be disloyal to him.”

“None of us do, Cathy.”