Back A Goat's Song
Chapters (43)
  1. Cover
  2. About the Author
  3. Also by Dermot Healy
  4. Praise
  5. A GOAT’S SONG
  6. I. Christmas Day in the Workhouse
  7. 1. Waiting for Catherine
  8. 2. Walking the Triangle
  9. 3. A Taxi Through New York at Midnight
  10. 4. Shangrila
  11. 5. The Nomads
  12. 6. Christmas Morning
  13. 7. The Love Object
  14. 8. The Cockatiel
  15. II. The Salmon of Knowledge
  16. 9. The Death of Matti Bonner
  17. 10. The Fenian Ledger
  18. 11. The News at Six
  19. 12. The Summer Home
  20. 13. The Outsiders
  21. 14. As Gaelige
  22. 15. O’Muichin and the Cléirseach
  23. 16. The Salmon of Knowledge
  24. III. The Hares
  25. 17. The Mourners
  26. 18. The Greatest Man in Ballyconeely
  27. 19. Oh No, Don’t Stop the Carnival
  28. 20. The Illustrated Sons of Ireland
  29. 21. The Sea
  30. 22. Through the Downhill Tunnel
  31. 23. The Irishman
  32. 24. Madame George
  33. 25. What Did Shamey Coyle Do When He Left Prison?
  34. IV. The Musical Bridge
  35. 26. Flying in Belfast
  36. 27. Crossing the Musical Bridge
  37. 28. Searching for Jack in Yeats’ County
  38. 29. Guilt–tripping
  39. 30. Corrloch
  40. 31. The Cuckoo Mocks the Corncrake
  41. 32. A Time of Big Seas
  42. 33. Popular Songs
  43. 34. Happiness

They were back in earlier times, when racked by fear and wrath, he’d shut himself away in his room in Fermanagh. He threatened to leave. To sell the light-keepers’ house. He complained of an irritation of the bowel which the girls did not believe he had. It was an excuse for Maisie to take him away from Mullet. They drove to Castlebar hospital for tests but nothing was found. His anger increased. The girls and Maisie dreaded his sudden explosive outbursts at the kitchen table.

“I never want to see this place again,” he’d say savagely. “I’ve been taken for a fool.”

“Have ye been talking about me?” he shouted at the girls. “I told you not to breathe a word about the RUC!”

“I didn’t!” answered Catherine.

“Someone has.”

“No one knows, Jonathan,” said Maisie gently.

“We’ll have to leave here. Tomorrow!”

Age overnight harried his features. The cheeks sagged. Then one day the girls found him waiting for them at the boathouse at Scotchport beach, something he had never done before. The old fear and the new fear combined to make him distraught, yet he remained silent. The possession was over. He accompanied them to the house in a forgiving way. Then, come the afternoon, he made a fire of his papers in the back garden. “Watch,” called Maisie, “that you don’t burn the privy.” Ash from the history he had attempted floated over the leafless escallonia. Scraps of dialect went over the roof of the house.

“Why are you destroying all that you’ve done?” she asked.

“Because,” he said, “it’s all been done before.” He looked at Maisie. “You should have told me,” he said sadly. “Someone should have told me when to stop.”

Next morning there were wild flowers on the pillows of each of the three women.

By the time they came downstairs they knew the persecution was over. He was installed in his study reading. He had passed on into the role of elder from which the word Presbyter takes its name. They heard him, as they passed his door, reading out loud what they first took to be ancient Greek. Vee shay, vee may, vee tu; vee shiv, vee ameed, vee adder. Cod taw harlaw? Cod ay sin? Kay will asti?

All day it went on. Questions. Exclamations. Entreaties.

In 1710 the first Presbyterian preachers, hounded by the High Church, began translating the Bible into Irish. True to that ecclesiastical republicanism which let the individual form his own government, Jonathan Adams had set up his own private republic.

In The Dwellings he began his first translations into Irish with the help of schoolbooks loaned by Joe Love’s children. He began at the beginning. He was, I was, you were. We were. They were. We all were. What happened? What is that? Who is within?