Chapters (57)
- Cover
- Title Page
- Dedication
- Epigraph
- Prologue
- I: PARIS (MAY–JULY 1994)
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- II: WASHINGTON (JANUARY–MARCH 1996)
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- III: WASHINGTON–BEIJING (MARCH–MAY 1996)
- 20
- 21
- 22
- 23
- 24
- 25
- 26
- 27
- 28
- 29
- 30
- IV: WASHINGTON–BOSTON–MONTREAL (MAY–JULY 1996)
- 31
- 32
- 33
- 34
- 35
- 36
- 37
- 38
- 39
- 40
- 41
- 42
- V: SANTA ROSA, CALIFORNIA (OCTOBER 1996)
- 43
- Acknowledgments
- Author’s Note
- Praise
- Also by David Ignatius
It was a sad place. The elevator was decorated with notices for the unmarried—the Bridge Club, the Ballroom Dancing Club, the Co-ed Softball League. I pressed the button for the sixth floor, and walked down a long hall to 636. When I knocked on the door, I had to say “This is Bob” again. Rubino was dressed in a business suit. He had that fresh-scrubbed, ready-for-work look. “Come on in,” he said cheerily.
It was a small one-bedroom apartment that looked out on the concrete corridor of the interstate, with a glimpse of Washington in the distance. The apartment was antiseptic. You knew instantly, looking at it, that no one lived there. The furniture was bland, unmarked; the glassware in the little kitchen was lined up in neat rows. A film of dust seemed to have settled gently over the place like a light snowfall. The only sign of life was the smell of coffee coming from the kitchen. Rubino had made a fresh pot. He handed me a mug painted with yellow and white daisies.
I didn’t like being there. I had thought I wouldn’t mind, but now it seemed awkward, alien. I didn’t feel like a reporter. Rubino seemed to sense my discomfort. He brought me into the living room, took off his suit jacket and put his feet up on the coffee table. He was trying to be my pal, but I didn’t want that either. I wanted to ask my question, get my answer, and leave.
“So, what’s on your mind, Eric?” he asked. It was the voice of a game-show host. “You said on the phone that you wanted to talk about Arthur Bowman. But he’s your colleague. Why would you want to ask me about him?”
“Let’s not play games,” I said. “I want to know whether the agency has any evidence Bowman has ever taken money from French intelligence. I need to know.”
“Why do you ‘need to know’? That phrase has a certain resonance in my business. It’s a term of art.”
“I need to know because Bowman and I are on a collision course. He’s trying to convince my editors not to publish my article about New Asia. I don’t want to get in a confrontation with him unless I’m sure where I stand.”
“But what makes you think Bowman is a spy? He’s a famous journalist, one of the most respected reporters in the country. Sure, he may have written some articles that helped the French, and maybe he doesn’t like the article you’ve written. But that’s no crime. This is a free country.”