Chapters (94)
- Cover
- Dedication
- Epigraph
- Part I
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Part II
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Part III
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Chapter 84
- Acknowledgments
- About the Author
- Also by Jenny Colgan
- About the Publisher
“After the war”—Kim-Ange nodded—“when the world got ripped apart. After Hiroshima, it got torn up again. You couldn’t look at life the way people had looked at it before.”
Now Cormac couldn’t see enough of it. He wandered through the galleries of Picassos, Dalís, mouth open.
“They’re all soldiers.”
“We’re all soldiers,” observed Kim-Ange, eventually pulling him away. “Art is amazing,” she added perkily. “And you get a slice of cake at the end of it. Shall we?”
And Cormac was just about to enthusiastically agree, and concede that, okay, London maybe did have a bit more to offer than he’d originally thought . . . but his phone buzzed, and he took it out and stared at it, disconsolately, reading a message.
“Oh, bugger,” he said.
Chapter 42
“Why didn’t you call me?” he almost yelled down the phone.
“It’s just a broken wrist,” said his mother, equally crossly. “I called a taxi. Honestly, don’t worry about it.”
“What were you doing?”
“I was on the trapeze.”
“Mu-um.”
“My stupid bicycle. How’s London?”
“So who set it for you?”
“Some nine-year-old up at the hospital.”
“I’ll pop up,” said Cormac.
“You won’t ‘pop up,’” said Bridie. “I am perfectly fine and Yasmeena is coming over.”
Yasmeena lived in Inverness with Lewis, the middle son.
Cormac sighed. “I can get a flight.”
“You can do nothing of the sort! You’ve got a job to do. I am totally fine.”
Cormac took stock. After his father had died, his mother’s default was “totally fine,” and she took any insinuation to the contrary as a total insult.
“Okay,” he said. “Well, at least there’ll be someone to check it for you. I wouldn’t have been allowed.”
“It’s fine!”
“I mean, I would anyway . . .”
“It’s fine! I’m busy anyway.”
“Which wrist is it?”
“My right,” admitted Bridie.
“Mum!” Cormac tsked. “It’s okay, I’m going to get the new girl who’s standing in for me to pop in.”
“I’ve seen her,” said Bridie. “She has hair all over the place.”
“So I hear,” said Cormac.
“And she’s a bit standoffish.”
“You think everyone who doesn’t come from Kirrinfief is standoffish! Remember what you said about that woman with the book bus?”
“Aye, she’s all right, Nina.”
“She is!” said Cormac. “So is Alyssa. I’m pretty sure.”
“Mm-hmm,” said Bridie.
Which is how Cormac found himself writing a note on Monday morning asking, as politely as he knew how, if Lissa could possibly go and visit his mother.