500 Miles from You
Chapters (94)
- Cover
- Dedication
- Epigraph
- Part I
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Part II
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Part III
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Chapter 84
- Acknowledgments
- About the Author
- Also by Jenny Colgan
- About the Publisher
Cover
Dedication
This book is dedicated with love and gratitude to organ donors everywhere. You are the true heroes of so many stories.
Epigraph
There are two teachers in the school,
One has a gentle voice and low,
And smiles upon her scholars, as
She softly passes to and fro.
Her name is Love; ’tis very plain
She shuns the sharper teacher, Pain.
Or so I sometimes think; and then,
At other times, they meet and kiss,
And look so strangely like, that I
Am puzzled to tell how it is,
Or whence the change which makes it vain
To guess if it be—Love, or Pain.
—SUSAN COOLIDGE, WHAT KATY DID
Part I
Chapter 1
It should have started with ominous dark crows, great murmurations and flutterings, bad omens taking to the sky; with thick storm clouds rolling in, clocks striking thirteen.
In fact, it started with an extremely undignified argument with an old lady over a bar of chocolate.
“But you have a bar of Dairy Milk right there in your hand!”
Mrs. Marks looked up at her, heavy and glowering, from the cracked brown leather sofa. “I do not!”
“Behind your back!”
Like a tiny child, Mrs. Marks refused to remove her hand, just shook her head mutinously.
Lissa Westcott put down the medical equipment she’d been packing away and strode back into the center of the room, exasperated. “You thought I’d gone! You thought I was leaving the room and you were making a grab for a hidden Dairy Milk!”
Mrs. Marks fixed her with beady eyes. “What the bleedin’ hell are you then, the chocolate police?”
“No. Yes!” said Lissa, rather desperately.
She held out her hand. Mrs. Marks finally handed it over. It was, in fact, a Bournville.
“Ha!” said Mrs. Marks.
Lissa looked at her.
Old Mrs. Marks lived on the fourteenth floor of a South London tower block where the lifts were often broken. Her foot was gradually giving in to diabetes, and Lissa was trying her absolute hardest to save it. She glanced out from the dingy, fussy room with dusty fake flowers everywhere, over at the grand views of the river to the north, at the great towers of the City, glinting in the light, bright and beautiful, clean and full of money, like a vast array of glittering palaces, completely out of reach, though less than two miles away.
“We’ve just been talking about your diet for twenty minutes!” she said to the poor woman who was practically a shut-in, with only her daughter to visit her. Watching EastEnders with family-sized bars of chocolate was one of the few pleasures she had left, but it wasn’t doing her any good. “I don’t want to be coming up here one day and finding you in a coma,” Lissa went on, as severely as she dared.
Mrs. Marks just laughed at her. “Oh, don’t you worry about me, duck. Whatever will be will be.”