Chapters (94)
- Cover
- Dedication
- Epigraph
- Part I
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Part II
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Part III
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Chapter 84
- Acknowledgments
- About the Author
- Also by Jenny Colgan
- About the Publisher
Cormac groaned and went over and washed his face in the small sink. “Are you sure you don’t just want me with you so you can lean on me when your feet get sore in your very stupid shoes?” he said.
They were quite stupid shoes, with a dangerous-looking stiletto heel.
“I do,” said Kim-Ange. “And bare your teeth if anyone starts shouting.”
“Who’s going to shout at you?” said Cormac, drying his stubble. “And even if they do, you won’t hear them up there, you’re about nine feet tall in those.”
“Catwalk,” said Kim-Ange sagely. “Come on, we’ll go up to Tate Modern. They’re all arty up there. I shall be appreciated.”
She smiled at him.
“Well done for this morning. Risky, but you pulled it off.”
Cormac didn’t feel much better, though.
Although once they got outside, into what Cormac considered to be a terrifying heat wave and everyone else thought was a perfectly normal day, he felt that something had changed. At first when he’d gone into clothes shops or walked through Soho, marveling at the looks, the fashion, the different types of people—male, female, and everything in between—he’d found it embarrassing. Why would anyone dress like that? Why would people want to stand out and have everyone stare at them, giggling and pointing?
Now, as he started to get more used to the ins and outs of the inner city, he’d realized something that would have completely surprised him: he liked it.
He liked the individuality of people’s dressing. He liked the effort that went into having silver hair, or wearing a wig or something incredibly uncomfortable, just so that everyone else didn’t have to look at the same boring jeans and fleeces all day.
He also had a theory: In Scotland, the colors and the world around you changed daily, hourly even. The pink of the blossom bursting, the gold of the daffodils, the deep greens of the grass after the rain, and the soft lavender of the heather on the hillsides. Bright yellow fields of rapeseed; fresh white lambs dotting the place like clouds; sunsets that stretched uninterrupted for miles.
Here it was gray pavement, gray buildings, gray pavement, brown buildings, everywhere you went. Always the same, never changing. Harsh electric lights burning yellow, over and over again. You could barely see the sky from the street, couldn’t see anything bursting into life and color, changing day by day. Nothing changed. Everything was at the same temperature, everything was built upon, and anything that wasn’t had a crane sitting on top of it.