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Contents ( 83)
  1. Contents
  2. Author’s Note
  3. Chapter 1
  4. Chapter 2
  5. Chapter 3
  6. Chapter 4
  7. Chapter 5
  8. Chapter 6
  9. Chapter 7
  10. Chapter 8
  11. Chapter 9
  12. Chapter 10
  13. Chapter 11
  14. Chapter 12
  15. Chapter 13
  16. Chapter 14
  17. Chapter 15
  18. Chapter 16
  19. Chapter 17
  20. Chapter 18
  21. Chapter 19
  22. Chapter 20
  23. Chapter 21
  24. Chapter 22
  25. Chapter 23
  26. Chapter 24
  27. Chapter 25
  28. Chapter 26
  29. Chapter 27
  30. Chapter 28
  31. Chapter 29
  32. Chapter 30
  33. Chapter 31
  34. Chapter 32
  35. Chapter 33
  36. Chapter 34
  37. Chapter 35
  38. Chapter 36
  39. Chapter 37
  40. Chapter 38
  41. Chapter 39
  42. Chapter 40
  43. Chapter 41
  44. Chapter 42
  45. Chapter 43
  46. Chapter 44
  47. Chapter 45
  48. Chapter 46
  49. Chapter 47
  50. Chapter 48
  51. Chapter 49
  52. Chapter 50
  53. Chapter 51
  54. Chapter 52
  55. Chapter 53
  56. Chapter 54
  57. Chapter 55
  58. Chapter 56
  59. Chapter 57
  60. Chapter 58
  61. Chapter 59
  62. Chapter 60
  63. Chapter 61
  64. Chapter 62
  65. Chapter 63
  66. Chapter 64
  67. Chapter 65
  68. Chapter 66
  69. Chapter 67
  70. Chapter 68
  71. Chapter 69
  72. Chapter 70
  73. Chapter 71
  74. Chapter 72
  75. Chapter 73
  76. Chapter 74
  77. Chapter 75
  78. Chapter 76
  79. Chapter 77
  80. Chapter 78
  81. Chapter 79
  82. Afterword
  83. About the Author

But Dance didn’t think comments about acoustic tonal quality, however harsh, rose to the level of threat under California Penal Code section 646.9.

Zeigler said to Kayleigh, “Bobby was the greatest guy in the world. I can’t believe somebody’d hurt him on purpose. And to die that way. You must be …” Then he grew silent, apparently deciding he shouldn’t be further revisiting the horror.

“Aaron and Steve said if there’s anything anybody at the label can do, you let us know. You’ve got the whole company behind you.”

“Barry, I think he’s going to keep doing this. He picks verses of my songs and plays them and then kills somebody or tries to.”

“That’s what Bishop was telling me.” The producer turned to Dance. “Can’t you arrest him?”

She demurred but Kayleigh said, “He’s too smart. They haven’t been able to find anything he’s done that quite breaks the law. Oh, this is just terrible.” The anger was gone and her eyes welled with tears. Then she tamed the emotion and the same stillness came over her as it did onstage.

Control …

Zeigler’s voice dimmed as he said to Kayleigh, “I want to say hi to Bishop and Sheri. But could I talk to you for a minute? Alone?”

“Sure.” To Dance she said, “Be right back.”

The two rose and walked into the living room, the producer ducking automatically as they approached the doorway arch. He had to be six feet, seven inches tall, Dance estimated.

She gave it a minute, then rose quietly and moved to the swing Kayleigh had just occupied, which was next to a half-opened window. From there she could hear their conversation. Whatever Zeigler was going to tell Kayleigh might have something to do with the case, even if neither of them realized it, provided she could make out the conversation.

As it turned out, their words were plenty loud enough to hear. Dance remembered that her children, when younger, believed that if they couldn’t see their parents, they were invisible and produced no sound whatsoever.

“Look, this is a terrible time to bring this up. But I … I’m sorry, I have to ask.”

“What, Barry? Tell me. Come on. I’ll worm it out of you. You know I can.”

“Are you talking to JBT Global?”

“What?”

“JBT Global Entertainment. The three-sixty outfit.”

“I know who they are. And no, I’m not talking to them. Why are you asking?”

Zeigler was explaining how a friend of a friend of a friend in the complicated world that’s entertainment had told him that Global really wanted to sign her.

“You were in discussions, I’d heard.”

“Barry, we get calls all the time. Live Nation, Global … I don’t pay attention to them. You know I’d never leave you guys. You’re the ones who made me. Hey, what’s this all about?”

It was odd to hear someone half the age of the producer talking to him as if he were a child with troubles at school.