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Contents ( 83)
  1. Contents
  2. Author’s Note
  3. Chapter 1
  4. Chapter 2
  5. Chapter 3
  6. Chapter 4
  7. Chapter 5
  8. Chapter 6
  9. Chapter 7
  10. Chapter 8
  11. Chapter 9
  12. Chapter 10
  13. Chapter 11
  14. Chapter 12
  15. Chapter 13
  16. Chapter 14
  17. Chapter 15
  18. Chapter 16
  19. Chapter 17
  20. Chapter 18
  21. Chapter 19
  22. Chapter 20
  23. Chapter 21
  24. Chapter 22
  25. Chapter 23
  26. Chapter 24
  27. Chapter 25
  28. Chapter 26
  29. Chapter 27
  30. Chapter 28
  31. Chapter 29
  32. Chapter 30
  33. Chapter 31
  34. Chapter 32
  35. Chapter 33
  36. Chapter 34
  37. Chapter 35
  38. Chapter 36
  39. Chapter 37
  40. Chapter 38
  41. Chapter 39
  42. Chapter 40
  43. Chapter 41
  44. Chapter 42
  45. Chapter 43
  46. Chapter 44
  47. Chapter 45
  48. Chapter 46
  49. Chapter 47
  50. Chapter 48
  51. Chapter 49
  52. Chapter 50
  53. Chapter 51
  54. Chapter 52
  55. Chapter 53
  56. Chapter 54
  57. Chapter 55
  58. Chapter 56
  59. Chapter 57
  60. Chapter 58
  61. Chapter 59
  62. Chapter 60
  63. Chapter 61
  64. Chapter 62
  65. Chapter 63
  66. Chapter 64
  67. Chapter 65
  68. Chapter 66
  69. Chapter 67
  70. Chapter 68
  71. Chapter 69
  72. Chapter 70
  73. Chapter 71
  74. Chapter 72
  75. Chapter 73
  76. Chapter 74
  77. Chapter 75
  78. Chapter 76
  79. Chapter 77
  80. Chapter 78
  81. Chapter 79
  82. Afterword
  83. About the Author

I’d prefer together, I’d hoped for two not one.

You and me forever, with a daughter and a son.

It was tough that didn’t work out, but now it’s plain to see

When it comes to things that matter, all I really need is me.

With these lyrics, which she’d written years ago, rolling through her mind, Kayleigh Towne climbed out of the Suburban, which Darthur Morgan had parked on Olive Avenue. They were in front of a Victorian-style auditorium. It was Parker Hall, a small theater and lecture venue from the nineteenth century. She noted the brass plaque that read:

KAYLEIGH, OUR HOME “TOWNE” GIRL, GAVE HER FIRST CONCERT HERE.

She’d been thirteen. The “first concert” part was not exactly true—she’d done churches and sporting events since she was nine or ten. But this was, yes, the first performance in a concert hall, though she’d shared the stage with a few other kids from the children’s choir of George Washington Middle School.

“About a half hour,” she told Morgan.

“I’ll be here,” he said. And began immediately to study the street for signs of Edwin Sharp or any other threat.

Kayleigh found the key to the hall and slipped inside the musty place. That afternoon she’d contacted the foundation that owned it and explained that she was thinking about giving a concert there. Could she borrow the key to check the place out? They’d been delighted and she’d had politely to decline the several invitations by the staff to give her a tour of the venue. Her time was so limited, she’d said, that she wasn’t sure when she could get there.

Inside, the murky hall resonated with its own brand of creaks and snaps but this time, unlike at the convention center, she wasn’t made the least uneasy by the atmosphere. She knew where the danger was.

And it wasn’t in the shadows that surrounded her.

Kayleigh headed straight for the loading dock in the back, opened the door and stepped outside, looking over the street, which ran parallel to Olive. A few minutes later she saw the red Buick driven by the man who had killed Bobby and tried to kill Sheri and who had kidnapped Mary-Gordon and Suellyn. He cruised past the theater to the stoplight. One of the sheriff’s deputies was following.

Hell, she hadn’t counted on that.

She couldn’t have the police near when Edwin died. What was she going to do? Give up? She was furious at the thought.

The Buick waited for a light, signaling left.

A block away the deputy, trying to be clever, slowed and turned left, apparently hoping to pick up the Buick after Edwin turned.

She nearly laughed to see Edwin floor the accelerator and speed right into a largely residential neighborhood. He’d eluded the deputy completely.

It was tough that didn’t work out, but now it’s plain to see

When it comes to things that matter, all I really need is me.

Stepping back inside, she opened her purse and slipped on leather gloves, then unfixed the twist ties securing the eight-inch filleting knife to the cardboard backing. She wrapped the blade in a tissue and slipped it into the inner pocket of her denim jacket.