Back Worlds Enough and Time
Chapters (90)
  1. Title Page
  2. Enter the SF Gateway …
  3. Contents
  4. Author Note
  5. PROLOGUE: TRANSCRIPT
  6. IDENTITIES
  7. YEAR 0.005
  8. EARTHWATCH
  9. A CHANCE TO DREAM
  10. MEETING OF MINDS
  11. GENESIS AND REVELATION
  12. GRAVE IMAGE
  13. THINGS THAT GO BUMP IN THE NIGHT
  14. MANEUVERING
  15. BIG SISTER
  16. THE POWER TO SOOTHE
  17. YEAR 1.00
  18. ABOUT TIME
  19. HAPPY NEW YEAR
  20. TORN BETWEEN TWO LOVERS
  21. FROM EACH ACCORDING TO HIS INCLINATIONS
  22. IN THE DEAD VAST AND MIDDLE OF THE NIGHT
  23. OPTIONS
  24. DRIFTING
  25. DIVIDE AND MULTIPLY
  26. DIONYSUS MEETS GODZILLA
  27. 10
  28. DIDN’T SHE RAMBLE?
  29. YEAR 1.33
  30. LONG-RANGE PLANS
  31. NEW BEGINNINGS
  32. UNTIMELY PLUCKED
  33. BLUES
  34. YEAR 1.88
  35. LABOR-SAVING DEVICE
  36. FROM THE CRADLE TO THE GRAVE TO THE CRADLE
  37. A MODEST PROPOSAL
  38. ADVICE TO THE LOVELORN
  39. ONE PART HARMONY
  40. TWO PARTS DISCORD
  41. YEAR 3.21
  42. LEAVINGS
  43. REMEMBRANCE OF THINGS PAST
  44. TRANSLATING
  45. YEAR 5.71
  46. WATERSHED, BLOODSHED
  47. NIGHT OF THE LIVING DEAD
  48. A WOMAN OF DISCRIMINATION
  49. THAT TIME OF YEAR THOU MAYE5T IN ME BEHOLD
  50. CATEGORIES
  51. YEAR 6.26
  52. AULD ACQUAINTANCE
  53. SOWING, REAPING
  54. TEMPERAMENT
  55. BAD SEED
  56. YEAR 8.36
  57. HUSBANDRY
  58. POPULATION EXPLOSION
  59. YEAR 9.88
  60. HOMECOMING
  61. THE BURDENS OF FAITH
  62. YEAR 11.07
  63. GROWING PAINS
  64. LONG-DISTANCE CALL
  65. FOUR NOVELS
  66. AGE 55
  67. IN DREAMS AWAKE
  68. UP TEMPO
  69. JUVENILIA
  70. POOL PARTY
  71. INTERIM REPORT
  72. CHANCES
  73. BE ALL THAT YOU CAN BE
  74. FINAL APPROACH
  75. AGE 56
  76. DAY ZERO
  77. FIRST CONTACT
  78. LETTER ‘HOME
  79. HOUSEKEEPING
  80. AGE 57
  81. SETTLING, UNSETTLING
  82. THE HUNT
  83. FINAL EXAM
  84. AGE 100
  85. Website
  86. Also by Joe Haldeman
  87. Dedication
  88. EPILOGUE
  89. Author Bio
  90. Copyright

I should note for you generations yet unborn that gift giving is necessarily rare in this pseudoeconomy, at least gifts of objects. We were allowed to bring aboard only two kilograms of personal items. Otherwise, everybody owns everything equally.

You can make things, though. The computer keeps a running list of objects scheduled for recycling; if you can find a use for something that’s broken, you can petition to intercept it. So Sam collected bits and pieces over the months and pieced together a musical instrument, a kind of harp. It’s an arched trapezoid, the sides and bottom made of shiny metal stock. The curved top is a piece of golden wood, from Earth. From New York, where in a desperate time we had been lovers.

I supposed we would be again, another thing that left me temporarily speechless. We had been working together for most of a year on the literature project, and he had never hinted at anything romantic—though I had, at least to the extent of making sure he knew I was not unavailable. He was always reticent about sex, though, even when we were doing it.

He wanted more than that. He wanted to marry me; join the line.

I told him I had to think about it, and then talk to him, and then ask the others. It had to be unanimous, and I wasn’t sure that Dan or even John would go along with it. I wasn’t even sure that I wanted it, as dear as Sam is to me.

He kissed me and left me alone there in the editing room. I came up here to think into the keyboard.

So much of the literature we’ve been trying to reclaim or recall has to do with love. Old-Fashioned romantic love, often, with its sinister subtexts of ownership, male superiority, female manipulation. A sexual and emotional union that not incidentally reinforced the power of the church and the state over individuals and families.

I guess my first love, with Charlie Increase Devon, involved a strong element of that. Maybe he also cured me of it. Or maybe it was like other childhood diseases, that you contract once and then become immune. Even as I wrote that down, I saw how silly it was—some people never experience romance and some never grow out of it—but I’ll leave it. I’m going to erase all this anyhow.