Chapters (90)
- Title Page
- Enter the SF Gateway …
- Contents
- Author Note
- PROLOGUE: TRANSCRIPT
- IDENTITIES
- YEAR 0.005
- EARTHWATCH
- A CHANCE TO DREAM
- MEETING OF MINDS
- GENESIS AND REVELATION
- GRAVE IMAGE
- THINGS THAT GO BUMP IN THE NIGHT
- MANEUVERING
- BIG SISTER
- THE POWER TO SOOTHE
- YEAR 1.00
- ABOUT TIME
- HAPPY NEW YEAR
- TORN BETWEEN TWO LOVERS
- FROM EACH ACCORDING TO HIS INCLINATIONS
- IN THE DEAD VAST AND MIDDLE OF THE NIGHT
- OPTIONS
- DRIFTING
- DIVIDE AND MULTIPLY
- DIONYSUS MEETS GODZILLA
- 10
- DIDN’T SHE RAMBLE?
- YEAR 1.33
- LONG-RANGE PLANS
- NEW BEGINNINGS
- UNTIMELY PLUCKED
- BLUES
- YEAR 1.88
- LABOR-SAVING DEVICE
- FROM THE CRADLE TO THE GRAVE TO THE CRADLE
- A MODEST PROPOSAL
- ADVICE TO THE LOVELORN
- ONE PART HARMONY
- TWO PARTS DISCORD
- YEAR 3.21
- LEAVINGS
- REMEMBRANCE OF THINGS PAST
- TRANSLATING
- YEAR 5.71
- WATERSHED, BLOODSHED
- NIGHT OF THE LIVING DEAD
- A WOMAN OF DISCRIMINATION
- THAT TIME OF YEAR THOU MAYE5T IN ME BEHOLD
- CATEGORIES
- YEAR 6.26
- AULD ACQUAINTANCE
- SOWING, REAPING
- TEMPERAMENT
- BAD SEED
- YEAR 8.36
- HUSBANDRY
- POPULATION EXPLOSION
- YEAR 9.88
- HOMECOMING
- THE BURDENS OF FAITH
- YEAR 11.07
- GROWING PAINS
- LONG-DISTANCE CALL
- FOUR NOVELS
- AGE 55
- IN DREAMS AWAKE
- UP TEMPO
- JUVENILIA
- POOL PARTY
- INTERIM REPORT
- CHANCES
- BE ALL THAT YOU CAN BE
- FINAL APPROACH
- AGE 56
- DAY ZERO
- FIRST CONTACT
- LETTER ‘HOME
- HOUSEKEEPING
- AGE 57
- SETTLING, UNSETTLING
- THE HUNT
- FINAL EXAM
- AGE 100
- Website
- Also by Joe Haldeman
- Dedication
- EPILOGUE
- Author Bio
- Copyright
I should note for you generations yet unborn that gift giving is necessarily rare in this pseudoeconomy, at least gifts of objects. We were allowed to bring aboard only two kilograms of personal items. Otherwise, everybody owns everything equally.
You can make things, though. The computer keeps a running list of objects scheduled for recycling; if you can find a use for something that’s broken, you can petition to intercept it. So Sam collected bits and pieces over the months and pieced together a musical instrument, a kind of harp. It’s an arched trapezoid, the sides and bottom made of shiny metal stock. The curved top is a piece of golden wood, from Earth. From New York, where in a desperate time we had been lovers.
I supposed we would be again, another thing that left me temporarily speechless. We had been working together for most of a year on the literature project, and he had never hinted at anything romantic—though I had, at least to the extent of making sure he knew I was not unavailable. He was always reticent about sex, though, even when we were doing it.
He wanted more than that. He wanted to marry me; join the line.
I told him I had to think about it, and then talk to him, and then ask the others. It had to be unanimous, and I wasn’t sure that Dan or even John would go along with it. I wasn’t even sure that I wanted it, as dear as Sam is to me.
He kissed me and left me alone there in the editing room. I came up here to think into the keyboard.
So much of the literature we’ve been trying to reclaim or recall has to do with love. Old-Fashioned romantic love, often, with its sinister subtexts of ownership, male superiority, female manipulation. A sexual and emotional union that not incidentally reinforced the power of the church and the state over individuals and families.
I guess my first love, with Charlie Increase Devon, involved a strong element of that. Maybe he also cured me of it. Or maybe it was like other childhood diseases, that you contract once and then become immune. Even as I wrote that down, I saw how silly it was—some people never experience romance and some never grow out of it—but I’ll leave it. I’m going to erase all this anyhow.