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Chapters (50)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. Acknowledgements
  5. Epigraph
  6. WIND IN A BOX
  7. WOOFER (WHEN I CONSIDER THE AFRICAN-AMERICAN)
  8. TALK
  9. BLACK HISTORY
  10. ROOT
  11. I. MJ FAN LETTER
  12. II. A FEW RUMORS CONCERNING MR. POTATO HEAD
  13. III. OMNIPOP, 1982
  14. IV. RSVP
  15. THE BLUE BARAKA
  16. THE BLUE BORGES
  17. THE BLUE BOWIE
  18. THE BLUE ETHERIDGE
  19. HARRYETTE MULLEN LECTURE ON THE AMERICAN DREAM
  20. ORACLE
  21. MAUSOLEUM
  22. IT’S A SMALL WORLD
  23. I. New Orleans Piano Genius
  24. THE BLUE KOOL
  25. THE BLUE MELVIN
  26. THE BLUE SEUSS
  27. THE BLUE STROM
  28. PINE
  29. A GIRL IN THE WOODS
  30. THRESHOLD
  31. THE WHALE
  32. VARIATION ON A BLACK CINEMA TREASURE: BROKEN EARTH
  33. VARIATION ON A BLACK CINEMA TREASURE: BOOGIE WOOGIE BLUES
  34. TOUR DAUFUSKIE
  35. A POSTCARD FROM OKEMAH
  36. THE BLUE TERRANCE
  37. THE BLUE TERRANCE
  38. THE BLUE TERRANCE
  39. A SMALL NOVEL
  40. WIND IN A BOX - —after Lorca
  41. WIND IN A BOX
  42. WIND IN A BOX
  43. WIND IN A BOX
  44. IMAGINARY POEMS FOR THE OLD-FASHIONED FUTURE
  45. EVERYBODY GOES TO HEAVEN
  46. IT CAN’T BE GOOD SITTING AROUND IMAGINING YOUR DEATH
  47. THE HERITAGE CHANNEL
  48. WIND IN A BOX
  49. NOTES
  50. PENGUIN POETS

No steps remained, but we did not leap
from the knee-high grass of that house
abandoned in the woods to the porch

with the planks that were as loose and warped
as those of a small boat beached long ago
by someone who rowed one last time

from a lake in a kind of reverse drowning,
the kind that calls one permanently to land
when someone has been lost, the water opening

indifferently and closing in the same manner
until even the oar strokes were traceless,
the boat left to become more and more

vaguely like the ribs of something that lived once,
that had purpose, but now could not hold a body,
could cradle nothing except the occasional rain

and wind the way the body cradles breath—
the warped, narrow wood of the porch
reached beyond us, me and the daughter of a man

who had been like me, who had been young
when this house was new and warmed by people
we would not ever know except by way of a black sock

someone had used to wipe away shit or semen
and left in the corner before going out again
to the porch and yard to sink

into the will of whatever else makes up the woods.
Seeing the sock then told me some of the possible history
of the world around us: that others had come here,

probably the girl’s older brother had been hiding here
while their father knocked at almost every door
in our neighborhood looking for him one night,

and maybe the cool somber-jawed dropouts
had been here, and other couples
who could not afford hotels,

others had left crushed and uncrushed cans
and clouded bottles, stick porn and mottoes
and aliases on the walls; they’d left their smell there too

and the roof seemed to want to guard it
though when the windows were smashed,
the doors kicked open, some of their musk

had been swept into the woods where it met the two of us
approaching with nothing but our caution
and green irrevocable hunger, and we could see it

would not hold us, the old porch,
so we did not leap from the knee high grass
to get in, we stepped as lightly as others had crossing

planks that splintered and cried out
as if to the old house and maybe to the deep, deep woods
and to the path others had not intended to leave.

THE WHALE

THE WHALE

for Purvis

Just like that your father’s dead,
Half of all the footsteps you’ve made

In your lifetime swept away by the tide
Gnawing the shore, the bits of shells
Like fragments of bone and teeth sinking

Into the sand beneath you as you walk
Toward the people crowding the body

Of a young whale, a boy on the shoulders
Of his father, a woman slipping film into a camera,
The skin peeling on a lifeguard’s neck

As he stoops peering into the animal’s eye,
Saying nothing, the audience silent or silenced