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Chapters (50)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. Acknowledgements
  5. Epigraph
  6. WIND IN A BOX
  7. WOOFER (WHEN I CONSIDER THE AFRICAN-AMERICAN)
  8. TALK
  9. BLACK HISTORY
  10. ROOT
  11. I. MJ FAN LETTER
  12. II. A FEW RUMORS CONCERNING MR. POTATO HEAD
  13. III. OMNIPOP, 1982
  14. IV. RSVP
  15. THE BLUE BARAKA
  16. THE BLUE BORGES
  17. THE BLUE BOWIE
  18. THE BLUE ETHERIDGE
  19. HARRYETTE MULLEN LECTURE ON THE AMERICAN DREAM
  20. ORACLE
  21. MAUSOLEUM
  22. IT’S A SMALL WORLD
  23. I. New Orleans Piano Genius
  24. THE BLUE KOOL
  25. THE BLUE MELVIN
  26. THE BLUE SEUSS
  27. THE BLUE STROM
  28. PINE
  29. A GIRL IN THE WOODS
  30. THRESHOLD
  31. THE WHALE
  32. VARIATION ON A BLACK CINEMA TREASURE: BROKEN EARTH
  33. VARIATION ON A BLACK CINEMA TREASURE: BOOGIE WOOGIE BLUES
  34. TOUR DAUFUSKIE
  35. A POSTCARD FROM OKEMAH
  36. THE BLUE TERRANCE
  37. THE BLUE TERRANCE
  38. THE BLUE TERRANCE
  39. A SMALL NOVEL
  40. WIND IN A BOX - —after Lorca
  41. WIND IN A BOX
  42. WIND IN A BOX
  43. WIND IN A BOX
  44. IMAGINARY POEMS FOR THE OLD-FASHIONED FUTURE
  45. EVERYBODY GOES TO HEAVEN
  46. IT CAN’T BE GOOD SITTING AROUND IMAGINING YOUR DEATH
  47. THE HERITAGE CHANNEL
  48. WIND IN A BOX
  49. NOTES
  50. PENGUIN POETS

This guy wept
and told us
he wanted to touch
the earth
with the fury
of a falling star.
This guy wore snow-
storm glitter and bangles
of lightning and tears
back when our slogan was:
Never Pull A Slow Gun
lest your children’s link
with you be broken
and they janitor
a blank banner of surrender
into and out of
all the iridescent cities
of War.
All modern thought
is permeated by the idea
of thinking the unthinkable.
Ziggy Stardust,
Ziggy Stardust,
A moonage daydream, Baby,
put your ray gun to my head.
Black as a black hole,
why does your big electric pupil
keep looking at me?
I could write my name
in the makeup
on your face.
Sweet blue boy
with a black wind

whistling
through the spaces
between your teeth,
O, whoa, whoa, whoa,
you’re a rock n roll suicide.
The song has gone
on forever
And you say, as it is said
Samuel Beckett said
at the end of his life:
What a hell of a morning it’s been . . .

THE BLUE ETHERIDGE

THE BLUE ETHERIDGE

Dear Parole Board of the Perennial Now,
let me begin by saying it’s very likely
none of my ex-wives will vouch for me.
Let’s just say the parable
of the Negro who uses his dick for a cane
and the parable of the Negro who uses his cane
for a dick convey the same message to me.
I’m sorry. You mean before that?
Well, it’s as if some ghost the height
of my granddaddy was lighting a cigarette
the wrong way to symbolize my muddy path
through life. You ever seen the Mississippi?
You’ll learn all you need to know
if you look at the wall of my kinfolk’s pictures.
Belzora. BuShie. My sisters. Me
and my brothers fishing in high waters.
Whenever I see brown hills and red gullies,
I remember what the world was like
before I twisted spoons over flames.
I pissed from a bridge the day I left.
Yes Sir, I’ve changed, I’ve changed.
But I won’t be telling you the story
of the forlorn Negro or the Negro cutthroat
or the Negro Hero or the Negro Tom.
I won’t be telling you the story of the night
I died. I believe everything comes back
to music or money. Belly Song.
Song of the twelve-fingered fix.
Song of The Gemini Women. I know I’m cursed.
I sang out to the Baptists I saw gathered
on the riverbank the day I left. I sang out
to the reeds straight as tongues and the salmon
in the waters of my people, and beyond that
to my barrel-backed shadow damming the stream.

HARRYETTE MULLEN LECTURE ON THE AMERICAN DREAM

HARRYETTE MULLEN LECTURE ON THE AMERICAN DREAM