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Chapters (50)
  1. Copyright Notice
  2. Dedication
  3. BOY
  4. NONI
  5. NONI
  6. THE ETHER
  7. VILOXIN
  8. BOY
  9. TAI
  10. NONI
  11. BOY
  12. TAI
  13. PART ONE
  14. BOY
  15. NONI
  16. BOY
  17. TAI
  18. NONI
  19. BOY
  20. TAI
  21. NONI
  22. BOY
  23. PART TWO
  24. TAI
  25. NONI
  26. TAI
  27. PART THREE
  28. NONI
  29. TAI
  30. NONI
  31. BOY
  32. TAI
  33. PART FOUR
  34. NONI
  35. TAI
  36. NONI
  37. TAI
  38. NONI
  39. TAI
  40. NONI
  41. TAI
  42. NONI
  43. TAI
  44. NONI
  45. EPILOGUE
  46. PART FIVE
  47. ACKNOWLEDGMENTS
  48. Praise for White Fox
  49. ABOUT THE AUTHOR
  50. Newsletter Sign-up

We follow Mama to the banks of the Seine, to a dusty library in London, and to her other favorite spots around the world, before coming back to Viloxin. There are laws prohibiting you from spreading ashes on private property, but as Tai would say, Screw them; we did it anyway.

The days taste mulberry sweet in late summer on Viloxin. I’d forgotten. Tai has a hand on my shoulder while we stand beside Mama’s memorial. It’s a bench that overlooks a soaring view, made from a rough-hewn, uneven, pink-and-white-veined piece of marble. Definition of wabi-sabi.

With more than a bit of her ultra-luxe Viloki flavor, obvs, Tai notes.

Tai hands the foxglove bouquet to me and draws her fingers over the top of the marble. Three long, thin black scratches have appeared across the top, almost overnight.

We’ve been in Limatra for over a week now, reviewing our inheritance from Teddy, in the form of Hero Pharm and Clouded Cage shares. I’ve been working with an agent on the manuscript of my book, She Is Mireille, and Tai and I have been developing our first Hero Pharm initiative: a plan for restitution and lifetime support to family members of victims of Hero Pharm tests, with funds left to us by Teddy and help from Hérrakí.

When Nítuchí found out Hérrakí and I were doing more than just work together, he offered to host us at his home for tea once a week, and even though the idea sounded—to steal from Tai—mind-blowingly stab-your-eyes-out horrendous, I accepted. Later that afternoon, Hérrakí took me to get a tattoo in the shape of a small white fox, as delicate as an old scar.

It winks at me from the soft crook in my elbow.

“I’m so scared,” I whisper to Tai, as the breeze ruffles her hair. And it’s a strange pleasure to admit it to her: that I’m scared about our project, scared of Nítuchí, scared of how difficult it will be to do what we must do.

“But pretty goddamn grateful too, right?” She rubs my shoulder, her touch like warm, spilling light.

It’s so like my sister to counter with something like this—as much as it was her to bolt away from the dark for years and years on end. But it’s the same message, ultimately—the same ethos, just reframed: Focus on the light. Except now Tai acknowledges and respects the dark.

She grew, as I did, while our backs were turned these last few years, and we’re only now seeing it. Only now seeing each other.

There’s the Tai who sparks electric, and the Tai whose warmth soothes. The courageous, optimistic Tai, and the mindful, nurturing Tai. The Tai who works to be someone good, and who can stand on her own two feet without leaning on the attention of others.