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Chapters (50)
  1. Copyright Notice
  2. Dedication
  3. BOY
  4. NONI
  5. NONI
  6. THE ETHER
  7. VILOXIN
  8. BOY
  9. TAI
  10. NONI
  11. BOY
  12. TAI
  13. PART ONE
  14. BOY
  15. NONI
  16. BOY
  17. TAI
  18. NONI
  19. BOY
  20. TAI
  21. NONI
  22. BOY
  23. PART TWO
  24. TAI
  25. NONI
  26. TAI
  27. PART THREE
  28. NONI
  29. TAI
  30. NONI
  31. BOY
  32. TAI
  33. PART FOUR
  34. NONI
  35. TAI
  36. NONI
  37. TAI
  38. NONI
  39. TAI
  40. NONI
  41. TAI
  42. NONI
  43. TAI
  44. NONI
  45. EPILOGUE
  46. PART FIVE
  47. ACKNOWLEDGMENTS
  48. Praise for White Fox
  49. ABOUT THE AUTHOR
  50. Newsletter Sign-up

“Hi, love!” someone calls from the bar. The voice is warm, inviting.

I get this feeling, just then, that Mama is here. I can’t explain it, but before I know it, I’m wiping my eyes, hot and swollen. This is the kind of dreamlike, love-filled pocket I would want to find her in, not trapped inside the glassy false kaleidoscope of her old world, of Tai’s world.

I clear my throat and sidle up to the group at the bar.

“Oh, sweet girl, let’s get you a change of clothes,” a woman offers, as a trippy remix of an American disco song starts up somewhere. Her eyelids are painted gold, her lips a rich orchid purple. “You look like something soaked with beer and forgotten on the floor after a sporting event.”

I squelch in my damp socks as her friend flicks her in the side. “What Apolla means to say is ‘You look lost, can we help you, love?’” she asks, batting thick eyelashes that end in delicate feathers.

“I’m looking for Baba Yuk—”

The woman with the golden lids wiggles surreal rhinestone-clad pointed nails. “The lady of the house goes by another name here. A rose by any other name would not smell as sweet. Names have power. She has claimed hers.”

I remember the flyer. “Madame Miraki, I mean. Sorry.” Miraki, like butterfly.

She smiles. “Don’t be sorry, sweet. In here, we learn, and we grow.” Rhinestones sparkling, her nails point toward a side door reading BEING A DIVA EVERY DAY KEEPS THE DOCTOR AWAY, with lipstick marks in every shape and color known to woman. “Come back after, and we’ll get you a tea, okay?”

Pressing through the door, I find myself in a long, dark bustling hallway painted in shimmering silver and covered in framed photos of classic icons. I spot Audrey Hepburn. Elizabeth Taylor. Sophia Loren. Many faces I don’t recognize. And then Mama, there, at the level of my heart, knees curled into her chest, a scarf drawn over her hair.

Tears prickle up again, and I brush them aside, just as performers burst out of doors up and down the hallway, in gowns of silk and feathered headdresses. Sashaying, skipping, strutting. It smells of excitement and a hundred different sweet perfumes intermingled, enough to make my head spin.

I peek my head into each open doorway, expecting Yuki and dreaming of Mama, only to find other women painting their faces in lit-up mirrors. One wears just snakeskin print, another’s red hair almost touches the ceiling, worked into intricate curls.

They are designing themselves however they see fit; they are writing their stories, like I want to write my own, and I want Mama to be able to finish writing hers.

I do a double take when I spot a brunette inside the largest dressing room at the end of the hall.