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Chapters (50)
  1. Copyright Notice
  2. Dedication
  3. BOY
  4. NONI
  5. NONI
  6. THE ETHER
  7. VILOXIN
  8. BOY
  9. TAI
  10. NONI
  11. BOY
  12. TAI
  13. PART ONE
  14. BOY
  15. NONI
  16. BOY
  17. TAI
  18. NONI
  19. BOY
  20. TAI
  21. NONI
  22. BOY
  23. PART TWO
  24. TAI
  25. NONI
  26. TAI
  27. PART THREE
  28. NONI
  29. TAI
  30. NONI
  31. BOY
  32. TAI
  33. PART FOUR
  34. NONI
  35. TAI
  36. NONI
  37. TAI
  38. NONI
  39. TAI
  40. NONI
  41. TAI
  42. NONI
  43. TAI
  44. NONI
  45. EPILOGUE
  46. PART FIVE
  47. ACKNOWLEDGMENTS
  48. Praise for White Fox
  49. ABOUT THE AUTHOR
  50. Newsletter Sign-up

… Mireille claims that her pet project, the Foix Institute, has, in its thirteen years of existence, funded the advanced creative degrees of almost 10,000 individuals of all different ages—many of them Viloki-born, while others are refugees housed under the Foix Institute Visa program. These numbers sound extraordinary—unbelievable. But media tends to focus, understandably, on the dubious practices of Hero Pharm—the institute’s greatest donor—and I was reluctant to cover the institute at all in this article, which aimed to celebrate Mireille’s return to the screen. However, during our teatime, she presses me to speak about her pet project on multiple occasions, and I finally bite. Can Mireille offer specific examples as to how the Foix Institute has changed life on the island in the past thirteen years? I wonder.

At this point in the interview, a Hero Pharm publicist darts forward with a stack of letters from island residents who have benefited from the Foix Institute—but Mireille stops him with a kind word and an outstretched hand. “It’s so difficult to quantify that, Edward,” she admits to me, her charisma shining through. “I just interviewed our class of 1991, to collect information about ways to improve.” Her blue eyes cloud over as she stirs her milky, lukewarm tea. “I—I often feel like life is slipping through my fingers. And I never feel like I’m doing enough with the time I’ve been gifted.”

It’s only at the end of our teatime that I notice Mireille is noticeably pregnant under her cream Yves Saint Laurent coat.

“Hero and I are welcoming a baby girl later this year, around the time my new film releases,” she explains. “I can feel her kicking right now.”

To my chagrin, my hand reaches out instinctively. She graciously agrees to let me feel the kicks. To feel life growing inside this woman I’ve watched grow up on-screen is one of the strangest—and most surreal—interview moments of my career.

Still, I’m left wondering: Will motherhood distract her from her pet project? Or worse—from embarking on future film projects?

“I imagine motherhood, like the institute, will require hard work and so much love,” she says, eyes sharp. “But happily, the act of loving only increases your capacity to love.”

I’ve watched you girls, playing with your spoiled friends in Limatra, ignoring the truth about yourselves and your family, except when you dip your toes into scummy Noxim waters. You haven’t changed since you were young. I watched you then, too. You never once noticed me, because, while you may pretend at being good, you are not.

Your mother was a hypocrite, and it seems you both are, too. She said she wanted to help people at any cost, but everyone in her life undid the work she started, and she knew it. They used me, and she knew it.

I blame your father most. Do you miss him, girls?