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Chapters (36)
  1. Cover
  2. Where Late the Sweet Birds Sang
  3. Where Late The Sweet Birds Sang
  4. Introduction
  5. PART ONEWhere Late the Sweet Birds Sang
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. PART TWOShenandoah
  16. Chapter 10
  17. Chapter 11
  18. Chapter 12
  19. Chapter 13
  20. Chapter 14
  21. Chapter 15
  22. Chapter 16
  23. Chapter 17
  24. Chapter 18
  25. Chapter 19
  26. PART THREEAt the Still Point
  27. Chapter 20
  28. Chapter 21
  29. Chapter 22
  30. Chapter 23
  31. Chapter 24
  32. Chapter 25
  33. Chapter 26
  34. Chapter 27
  35. Chapter 28
  36. Epilogue

She waited until he emerged from the woods and started across the cleared valley. Then she turned and walked south, toward the Shenandoah. All that night the trees whispered to her. When she awakened, she knew the trees had accepted her; they didn't stop their murmuring as they had always done in the past when she stirred about. Over and under and through their voices she could hear the voice of the river, still far off, and beyond it, she was certain she could hear Ben's voice, growing stronger as she hurried toward him. She could smell the fresh water now; and the voices of the river and the trees and Ben's voice blended as they called to her to hurry. She ran toward him joyously. He caught her and together they floated down, down into the cool, sweet water.

PART THREE
At the Still Point

Chapter 20

The new dormitory was dark except for the pale lights spaced regularly in the halls. Mark darted down the hallway and went inside one of the rooms. There was too little light to make out details; only the shapes of sleeping boys on the white beds could be seen at first. The windows were dark shadows.

Mark stood by the door silently and waited for his eyes to adjust; the shapes emerged from darkness and became dark and light areas—arms, faces, hair. His bare feet made no sound as he approached the first cot, and again he stopped; this time his wait was shorter. The boy on the cot didn't stir. Slowly Mark opened a small bottle of ink, made from blackberries and walnuts, and dipped a fine brush into it. He had been holding the ink next to his chest; it was warm. Moving very carefully, he leaned over the sleeping boy and quickly painted the numeral 1 on the boy's cheek. The boy didn't move.

Mark backed away from the first bed, went to another, and again paused to make certain the boy was sleeping deeply. This time he painted a 2.

Presently he left the room and hurried to the next one. He repeated the procedure there. If the boy was sleeping on his stomach, his face buried in the covers, Mark painted a number on his hand or arm.

Shortly before dawn Mark put the top back on his bottle of ink and crept to his own room, a cubicle large enough to contain only his cot and some shelves above it. He put the ink on a shelf, making no attempt to hide it. Then he sat cross-legged on his bed and waited.