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Chapters (57)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Prologue
  5. One
  6. Two
  7. Three
  8. Four
  9. Five
  10. Six
  11. Seven
  12. Eight
  13. Nine
  14. Ten
  15. Eleven
  16. Twelve
  17. Thirteen
  18. Fourteen
  19. Fifteen
  20. Sixteen
  21. Seventeen
  22. Eighteen
  23. Nineteen
  24. Twenty
  25. Twenty-one
  26. Twenty-two
  27. Twenty-three
  28. Twenty-four
  29. Twenty-five
  30. Twenty-six
  31. Twenty-seven
  32. Twenty-eight
  33. Twenty-nine
  34. Thirty
  35. Thirty-one
  36. Thirty-two
  37. Thirty-three
  38. Thirty-four
  39. Thirty-five
  40. Thirty-six
  41. Thirty-seven
  42. Thirty-eight
  43. Thirty-nine
  44. Forty
  45. Forty-one
  46. Forty-two
  47. Forty-three
  48. Forty-four
  49. Forty-five
  50. AUTHOR’S NOTE
  51. ACKNOWLEDGMENTS
  52. POPULAR BOOKS FROM THE ERA
  53. When We Meet Again
  54. A Conversation with Caroline Beecham about When We Meet Again
  55. Discussion Guide
  56. ABOUT THE AUTHOR
  57. What’s next onyour reading list?

The slender receptionist stood up and then pushed the visitor book toward her. “Just sign in here.” She watched as Alice wrote her name, then beamed at her. “The library is on the lower ground floor. The stairs are on the left of the lift. And I’ll phone Elizabeth now and tell her you’re on your way down.”

“Thank you so much.”

“Not at all, Miss Cotton.”

It grew colder as she descended into the basement, smooth stone steps giving way to the black-and-white tiles of a wide empty corridor. There were multiple doorways; the closest one was fully open, light pooling on the floor, and Alice walked tentatively through into a narrower passageway. Here another entrance gave way to a deceptively large room that smelled of dust and paper, and had a long wooden counter at the front. There were bare brickwork walls with mosaics of rudimentary plaster, and a ceiling covered in a skeleton of pipework. Rack upon rack of metal shelving and closed cabinets ran parallel from the counter all the way to the far wall. The air was thicker here, an almost tomblike stillness with no sign of life apart from the shadows that flickered across the room as pedestrians passed on the glass bricks of the pavement overhead.

A woman appeared dressed in a WAAF uniform, her dark hair curling around her collar. “Miss Cotton?”

“Yes. Are you Elizabeth?”

The woman nodded, and Alice couldn’t help but stare; her eyes were so pale they were almost translucent. “I didn’t get time to change after my shift this morning,” she said in a south London accent as she glanced down shyly at her uniform.

“Oh, I see,” Alice replied. “Well, thank you for seeing me at such short notice.”

“That’s quite all right. It’s lucky you caught me, actually. I was just going on my lunch break.” She glanced at the large wall clock.

“I’m sorry, I don’t want to hold you up.”

“It’s quite all right. How can I help?”

“I’m interested in the baby farmer articles by Olive Melville Brown.”

“Ah, yes.” The woman’s eyes widened. “Unbelievable, isn’t it, what some people will do? Taking advantage of the vulnerable in these precarious times.”

It seemed she was waiting for Alice to reply, but she could only nod and ask, “Do you have her stories on hand?”

“I do, actually. I file the articles under reporters’ names and in chronological order, so it should be easy enough to find what you’re looking for. Is that all you want?”

“I think so,” Alice said, encouraged. “For the time being, at least.”

She listened to the vibrations of traffic and indecipherable conversations from passersby as Elizabeth wrestled with the metal drawers, returning with a tray of newspapers. “Now, you take these through to the reading room next door, and I’ll come and see how you’re getting on when I return.”