Chapters (57)
- Cover
- Dedication
- Epigraph
- Prologue
- One
- Two
- Three
- Four
- Five
- Six
- Seven
- Eight
- Nine
- Ten
- Eleven
- Twelve
- Thirteen
- Fourteen
- Fifteen
- Sixteen
- Seventeen
- Eighteen
- Nineteen
- Twenty
- Twenty-one
- Twenty-two
- Twenty-three
- Twenty-four
- Twenty-five
- Twenty-six
- Twenty-seven
- Twenty-eight
- Twenty-nine
- Thirty
- Thirty-one
- Thirty-two
- Thirty-three
- Thirty-four
- Thirty-five
- Thirty-six
- Thirty-seven
- Thirty-eight
- Thirty-nine
- Forty
- Forty-one
- Forty-two
- Forty-three
- Forty-four
- Forty-five
- AUTHOR’S NOTE
- ACKNOWLEDGMENTS
- POPULAR BOOKS FROM THE ERA
- When We Meet Again
- A Conversation with Caroline Beecham about When We Meet Again
- Discussion Guide
- ABOUT THE AUTHOR
- What’s next onyour reading list?
I discovered a long-held family secret from a few generations ago; that a relative’s baby was sold to a childless couple in a nearby town. I was quite shocked until I started looking into the circumstances and found out how common it was for unmarried mothers who were desperate to find a way of taking care of their illegitimate children. Unfortunately, they were often pressured into going through illegal adoptions and turning to baby farmers. I went through a number of stages trying to understand the desperation that could drive you to part with your own flesh and blood, and I realized how complex it was, and that it wasn’t a new social problem. When I discovered that a law that was supposed to be passed to protect children and stop unlawful adoptions was shelved because of the outbreak of war—the exact time it was needed more than ever—I knew that it was a story worth following.
There were also a number of individuals who inspired me; social activist Clara Andrew, fought to get the Adoption of Children Act passed, and journalist Olive Melville Brown followed the story and kept it in the public eye. Diana Athill was another pioneering woman who had a distinguished career as an editor and worked in the industry throughout the war and was one of the stimuluses for the character of Ursula.
A couple of settings also provided inspiration for the story; London Zoo and Book Row in New York. As soon as I learned how London Zoo, or Regent’s Park Zoo, as the locals called it, remained open during the war and grew in popularity, becoming a refuge to visitors and servicemen, it became a sanctuary for Alice too. There were also such wonderful real stories about the animals and their antics that I had to include some of them too. Once I knew about the important role books played in wartime—the US had a Council on Books in Wartime and a very successful books scheme for their troops—it was great to then discover Book Row. This area in New York had seven blocks of bookshops back then, and although its reduced to only two blocks now, I really hope to visit one day!
One of the novel’s most salient messages is the transformative power of books to unite and inspire during periods of hardship. Which books fill that role for you, either in your personal life or in your development as a writer?