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Chapters (54)
  1. Cover
  2. WHEN LIFE GIVES YOU LEMONS
  3. Dedication
  4. Part One
  5. Chapter One
  6. Chapter Two
  7. Chapter Three
  8. Chapter Four
  9. Chapter Five
  10. Chapter Six
  11. Chapter Seven
  12. Chapter Eight
  13. Part Two
  14. Chapter Nine
  15. Chapter Ten
  16. Chapter Eleven
  17. Chapter Twelve
  18. Chapter Thirteen
  19. Chapter Fourteen
  20. Chapter Fifteen
  21. Chapter Sixteen
  22. Chapter Seventeen
  23. Chapter Eighteen
  24. Chapter Nineteen
  25. Chapter Twenty
  26. Part Three
  27. Chapter Twenty-One
  28. Chapter Twenty-Two
  29. Chapter Twenty-Three
  30. Chapter Twenty-Four
  31. Chapter Twenty-Five
  32. Chapter Twenty-Six
  33. Chapter Twenty-Seven
  34. Chapter Twenty-Eight
  35. Chapter Twenty-Nine
  36. Part Four
  37. Chapter Thirty
  38. Chapter Thirty-One
  39. Chapter Thirty-Two
  40. Chapter Thirty-Three
  41. Chapter Thirty-Four
  42. Chapter Thirty-Five
  43. Chapter Thirty-Six
  44. Chapter Thirty-Seven
  45. Chapter Thirty-Eight
  46. Chapter Thirty-Nine
  47. Chapter Forty
  48. Chapter Forty-One
  49. Chapter Forty-Two
  50. Acknowledgements
  51. Keep Reading …
  52. About the Author
  53. By the same author:
  54. About the Publisher

I breeze through how our friendship began, with her walking her little dog, and how my daughter and I started meeting her regularly. And then how we heard all about Girl Friday; and before I know it I’m launching into a spiel about how I’ve known Isla since we were in primary school, and how the idea came about, and how brilliant it would be for the museum, and our city: ‘Because Penny is just a normal woman,’ I explain. ‘She didn’t come from a privileged background. She wasn’t trained in fashion, she never even went to college – she just did a bit of modelling and worked as a typist, yet she went on to become huge, in that world, for those few years. Not in a Studio 54 kind of way, not like a Christian Dior or a Coco Chanel, but a real, normal woman who was entirely self-taught, and got off her arse and made it happen—’

I stop abruptly. I am sitting here with Hannah, a top person at this venerable institution, and I have just said ‘arse’.

She looks me right in the eye and smiles. ‘And that’s exactly what I love about this idea.’

I frown, confused.

‘I mean your absolute passion for it,’ she adds. ‘It shines out of your proposal – your enthusiasm and absolute belief in the project.’

‘Oh.’ I smile. ‘Well, thank you. I just feel—’

‘But when it dropped on my desk I was up to my eyes,’ she cuts in, ‘trying to convince the people who decide these things that the attack in the natural history department doesn’t mean we have to close permanently.’ Incredibly, her eyes well up. ‘I was up all night figuring out plans, doing budgets, trying to work out how we might recover from this, and it occurred to me …’ She looks down and flicks, seemingly randomly, through the pages of my proposal. ‘It occurred to me that, okay, we can repair the exhibits, we can sort that out. It’s not the end of the world really.’

‘I’m sure it can all be fixed,’ I say, as if I know anything about antique taxidermy displays.

‘Yes,’ Hannah says, ‘but then, when the dust had settled, so to speak, I started to think, the reason it happened – that crazy man barging in with the hammer – is because we are traditional, and that has its place, of course. But maybe an incident like that might be, well, not exactly good for the museum, it’s a colossal expense – but it might make us think about our future in a different way.’

‘In what way?’ I ask, not sure what she’s getting at here.

‘In a way that might make us more … broad-thinking,’ Hannah says, ‘and more appealing to a wider audience than we’ve ever attracted before.’