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Chapters (55)
  1. Cover
  2. Praise for Jim Harrison
  3. Also by Jim Harrison
  4. JIM HARRISON
  5. Copyright
  6. Dedication
  7. PART I
  8. Chapter 1
  9. Chapter 2
  10. Chapter 3
  11. Chapter 4
  12. Chapter 5
  13. Chapter 6
  14. Chapter 7
  15. Chapter 8
  16. Chapter 9
  17. Chapter 10
  18. Chapter 11
  19. Chapter 12
  20. Chapter 13
  21. Chapter 14
  22. Chapter 15
  23. Chapter 16
  24. Chapter 17
  25. Chapter 18
  26. Chapter 19
  27. Chapter 20
  28. Chapter 21
  29. PART II
  30. Chapter 22
  31. Chapter 23
  32. Chapter 24
  33. Chapter 25
  34. Chapter 26
  35. Chapter 27
  36. Chapter 28
  37. Chapter 29
  38. Chapter 30
  39. Chapter 31
  40. Chapter 32
  41. PART III
  42. Chapter 33
  43. Chapter 34
  44. Chapter 35
  45. Chapter 36
  46. Chapter 37
  47. Chapter 38
  48. Chapter 39
  49. Chapter 40
  50. Chapter 41
  51. Chapter 42
  52. Chapter 43
  53. Chapter 44
  54. Chapter 45
  55. Back Cover

And there was a sacred flavor to advice, whether it was the Ten Commandments, the Sermon on the Mount, an officer in the Air Force advising him to scrub his weenie with hydrogen peroxide after a trip to Juarez, his father telling him to abandon art in favor of business because “art didn’t dollar up on the hoof,” which summoned up a vision of a painting of a field full of fat steers that no one would ever buy. Art was the runt pig in the far corner of the pen; the last to shyly feed on the stray kernels of corn buried in the mud. Art had been cruel when he was finishing his M.B.A. and living with Marilyn, his first wife. They lived in a small, Spartan apartment in a married-student compound and he worked long hours at the desk of the business library to augment the small salary of his teaching assistantship. It was a warm spring evening and he could smell the flowers of the horticultural garden through the window. With the aid of Dexamyl spansules he had finished a long master’s the sis on the irrationality of the small-business tax the evening before. For the first time in two years he was left with nothing to do, so he wandered up to Arts and Letters on his cigarette break. An attractive, rather Levantine looking girl in rakish bangs had suggested he read the recently published Doctor Zhivago. He preferred something more racy, frankly prurient, but didn’t want to admit it to the girl. It was a heartrending three days: the novel virtually overhauled him, pulled his pistons and ground his fatigued valves. He moaned around in disgust with business trying to recapture the nobility of the palette he had ignored for two years. He refused to attend the commencement exercises that featured Richard Nixon as speaker. The onerous responsibilities of being a junior executive in data processing—did not the great Gauguin work at the Bourse?—freed him of his melancholy, though when the movie came out there was a resurgence. It would be a bitch to choose between Geraldine Chaplin and Julie Christie, be a doctor, turn out your art, all during the Revolution, he had thought.