Chapters (22)
- Cover
- BY THE SAME AUTHOR
- Title
- Dedication
- CONTENTS
- Map of Underhill
- ME (NOW)
- GROUND UNDER REPAIR (1990)
- DRIFTWOOD (1968)
- STOPCOCK (2019)
- ME (NOW)
- PAPPS WEDGE (2043)
- ME (NOW)
- MESSAGE BOARD (2012)
- REPORT OF DEBRIS (2014)
- BILLYWITCH (1932)
- SEARCH ENGINE (2099)
- EPILOGUEME (NOW)
- Acknowledgements
- A Note on the Author
- Supporters
- Copyright
He followed them four streets further into the injured concrete core of the city while they whispered conspiratorially and cackled about people and places he didn’t know, lagging back out of concern they might smell the odour of oysters that always now clung to his clothes, then finally allowing himself to blur back into the night for good. They did not appear to notice and as it faded their hard laughter mixed with the cries of gulls until he did not know which was one and which was the other. The next day he bought a small pot of liquorice-red house paint and finished the mural. The sea smells were a constant social concern, even though he did little socialising. Oyster, mussel, cockle, crab. He was convinced they never went away, even after he washed. On the roadsides, in the wet dust and weeds, yellow flowers with darker yellow centres were appearing. Down on the containers, they never called him Richard or Richie, only ‘Pencil’ or ‘Flower’. ‘Ere, Flower, you sure you can ’andle this?’ ‘Don’t give it to Pencil. It might ’urt ’is soft ’ands. Lovely ’ands, ’e got, like my missus. You seen ’em?’ At night, he dreamt he was on his back, with sealife cascading down on him out of a metal chute. If not that, he dreamt of Alison, the girl from Albany he’d met the previous summer, who, upon taking the least amount of drink, would immediately want to jab and prod everyone around her with no little violence, or jump on their backs. In the space of just one weekend, Alison, who at barely five foot was a whole sixteen inches shorter than him, had jumped on the back of Jim Morrison and the rhythm section of The Turtles. During the dreams, he was always crouched in a corner, watching helplessly as the jumping took place, knowing intervention was futile. In the apotheosis of the dreams, he crouched in the corner of a shipping container, his hands over his eyes, as haddock fell on his head and Alison leapt on the back of a giant dolphin who smiled nervously in the manner of someone who will pretend to have fun on the vague promise of sex. A fragile awareness was growing in him that his songwriting was coming on apace. In a temporarily clean new plaza in the main shopping district, he tried out two new numbers and took home the smallest amount of money in his guitar case to date.