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Chapters (47)
  1. 1. Cover Page
  2. 2. Title Page
  3. 4. Author’s Note
  4. 5. Dedication
  5. 7. Prologue
  6. 8. Part One: Umbertina 1860 - 1940
  7. 9. Chapter One
  8. 10. Chapter Two
  9. 11. Chapter Three
  10. 12. Chapter Four
  11. 13. Chapter Five
  12. 14. Chapter Six
  13. 15. Chapter Seven
  14. 16. Chapter Eight
  15. 17. Chapter Nine
  16. 18. Chapter Ten
  17. 19. Part Two: Marguerite 1927 – 1973
  18. 20. Chapter Eleven
  19. 21. Chapter Twelve
  20. 22. Chapter Thirteen
  21. 23. Chapter Fourteen
  22. 24. Chapter Fifteen
  23. 25. Chapter Sixteen
  24. 26. Chapter Seventeen
  25. 27. Chapter Eighteen
  26. 28. Chapter Nineteen
  27. 29. Chapter Twenty
  28. 30. Chapter Twenty-One
  29. 31. Chapter Twenty-Two
  30. 32. Chapter Twenty-Three
  31. 33. Part Three: Tina 1950 –
  32. 34. Chapter Twenty-Four
  33. 35. Chapter Twenty-Five
  34. 36. Chapter Twenty-Six
  35. 37. Chapter Twenty-Seven
  36. 38. Chapter Twenty-Eight
  37. 39. Chapter Twenty-Nine
  38. 40. Chapter Thirty
  39. 41. Chapter Thirty-One
  40. 42. Chapter Thirty-Two
  41. 43. Chapter Thirty-Three
  42. 44. Chapter Thirty-Four
  43. 45. Chapter Thirty-Five
  44. 46. Afterword
  45. 48. About the Author
  46. 49. About the Feminist Press
  47. 50. Also Available from the Feminist Press

At the end of the school year she went directly to Venice to see her father. He now lived in his sister’s small, old-fashioned flat. His studio was in the small bedroom at the end of the hall, and Tina shared with her aunt the large, high matrimonial bed that had belonged to the parents; made for the larger rooms of bygone homes, it now crammed the modest bedroom of the Morosini apartment.

Tina found her father and her aunt, their home and all of Venice gently decrepit and woebegone and yet with a serenity and sense of humor that was entirely missing in New York. Zia Lauretta, a strong, handsome woman of about fifty with the pronounced Morosini nose and dark wavy hair that resisted graying, fluttered about cooking soups and fish and commenting every so often to Tina on Venice’s state: “Che peccato!” she kept intoning. She kept strong in the damp winters, she said, by drinking the water in which seeped a curative mushroom sent all the way from Mexico. Tina loved the sense of outdated and outmoded confusion zia Lauretta exuded. She remembered what Jason had said about backwaters—they were the best places to live. Here nothing more turbulent than the city’s gradual sinking touched them, and that they didn’t have to reckon with immediately. The Venetians fled to the mainland to visit relatives or walk in the mountains when the summer tourist hordes began in earnest, but in the fall and winter Venice was theirs again, with its attenuated light and deep silences in the calli. There was no rush, no hurry. They walked through streets empty of motor vehicles and heard the plash of ages as the waters of the canals lapped upon the stones; once in a while the sound of a motor launch reminded them again of the adverse currents that the modern age had brought them and of the sentence of death that hung over them. But death is in all life, said the glory of the churches. And there was good dining in small, out-of-the way trattorie, there were caffès, the concerts at the Teatro Fenice, the meetings with friends at gallery openings, the long evenings along the canals, talking. Into this undemanding backwater Alberto Morosini had settled without demur; it fitted his nature. Tina saw it and understood and knew why neither she nor Weezy could live there. She would leave soon to visit Weezy.

But while she was still in Venice a card came for her from Weezy in Budapest. Tina read the message with a flush of anger: