Back Umbertina
Chapters (47)
  1. 1. Cover Page
  2. 2. Title Page
  3. 4. Author’s Note
  4. 5. Dedication
  5. 7. Prologue
  6. 8. Part One: Umbertina 1860 - 1940
  7. 9. Chapter One
  8. 10. Chapter Two
  9. 11. Chapter Three
  10. 12. Chapter Four
  11. 13. Chapter Five
  12. 14. Chapter Six
  13. 15. Chapter Seven
  14. 16. Chapter Eight
  15. 17. Chapter Nine
  16. 18. Chapter Ten
  17. 19. Part Two: Marguerite 1927 – 1973
  18. 20. Chapter Eleven
  19. 21. Chapter Twelve
  20. 22. Chapter Thirteen
  21. 23. Chapter Fourteen
  22. 24. Chapter Fifteen
  23. 25. Chapter Sixteen
  24. 26. Chapter Seventeen
  25. 27. Chapter Eighteen
  26. 28. Chapter Nineteen
  27. 29. Chapter Twenty
  28. 30. Chapter Twenty-One
  29. 31. Chapter Twenty-Two
  30. 32. Chapter Twenty-Three
  31. 33. Part Three: Tina 1950 –
  32. 34. Chapter Twenty-Four
  33. 35. Chapter Twenty-Five
  34. 36. Chapter Twenty-Six
  35. 37. Chapter Twenty-Seven
  36. 38. Chapter Twenty-Eight
  37. 39. Chapter Twenty-Nine
  38. 40. Chapter Thirty
  39. 41. Chapter Thirty-One
  40. 42. Chapter Thirty-Two
  41. 43. Chapter Thirty-Three
  42. 44. Chapter Thirty-Four
  43. 45. Chapter Thirty-Five
  44. 46. Afterword
  45. 48. About the Author
  46. 49. About the Feminist Press
  47. 50. Also Available from the Feminist Press

“Well, I don’t know if I do. I see Weezy’s feminists and what they’re doing—they’ve gone out into the streets, marching and jamming up traffic and making people notice them and get angry. They wave banners and scream and make a real spectacle. And things are beginning to change. And where would they have gotten if they had all stayed home and waited, like ladies, for men to hear the voice of reason? And besides, you were marching and protesting yourself once. It just means that after the first shock of getting attention by assault, then you can put on your jacket and tie and look like a lawyer reasoning things out.”

“Easy! Everything seems to set you off.”

“Oh, I know.” She sat up and faced him, her brow wrinkling with displeasure at herself.

“La rughetta,” said the old man, who had picked a clump of green and held it out to her.

“Ah, rughetta,” she exclaimed. They picked more of the pungent green leaves and then joined the old man, who put it with other greens into a salad and shared salad, bread, and cheese with them.

As they ate together under the olive tree, the old man looked at them again and again, finally nodding his head vehemently and saying, “Fidanzati, si!”

Jason took his harmonica out of his jeans pocket and played “Come Back to Sorrento.”

They arrived the next day at Staffa, a site once sacred to Venus and so beautiful in its position that Tina felt the energy and motivation for going to Castagna drain from her. There was the sea, deep blue before her, and at her back was the yellow ginestra-blooming mountain. All was curves and dips and strong, bright colors. They went through the lower village down to what was known as the public beach, a small strand of sand between the rocky projections of the shore and a seedy-looking hotel. The sea was still and calm, and Tina waded in. A piece of eggplant floated nearby, a bean-pod, some tomato skins—refuse evidently of the hotel or of the small thatched-roof eating place built on stilts over the water.

Tina made a face of disgust. “I can’t bear this!”

“Detritus,” he grinned.

“De trop,” she answered.

They walked back to Piazza Gesù, the center of the lower village, a square flanked by a pink church, a yellow Banco di Napoli, and a vine-covered bar. They stopped to have a beer and to find out, by talking to the waiter, exactly where Signor Agostini’s place was.