Back Umbertina
Chapters (47)
  1. 1. Cover Page
  2. 2. Title Page
  3. 4. Author’s Note
  4. 5. Dedication
  5. 7. Prologue
  6. 8. Part One: Umbertina 1860 - 1940
  7. 9. Chapter One
  8. 10. Chapter Two
  9. 11. Chapter Three
  10. 12. Chapter Four
  11. 13. Chapter Five
  12. 14. Chapter Six
  13. 15. Chapter Seven
  14. 16. Chapter Eight
  15. 17. Chapter Nine
  16. 18. Chapter Ten
  17. 19. Part Two: Marguerite 1927 – 1973
  18. 20. Chapter Eleven
  19. 21. Chapter Twelve
  20. 22. Chapter Thirteen
  21. 23. Chapter Fourteen
  22. 24. Chapter Fifteen
  23. 25. Chapter Sixteen
  24. 26. Chapter Seventeen
  25. 27. Chapter Eighteen
  26. 28. Chapter Nineteen
  27. 29. Chapter Twenty
  28. 30. Chapter Twenty-One
  29. 31. Chapter Twenty-Two
  30. 32. Chapter Twenty-Three
  31. 33. Part Three: Tina 1950 –
  32. 34. Chapter Twenty-Four
  33. 35. Chapter Twenty-Five
  34. 36. Chapter Twenty-Six
  35. 37. Chapter Twenty-Seven
  36. 38. Chapter Twenty-Eight
  37. 39. Chapter Twenty-Nine
  38. 40. Chapter Thirty
  39. 41. Chapter Thirty-One
  40. 42. Chapter Thirty-Two
  41. 43. Chapter Thirty-Three
  42. 44. Chapter Thirty-Four
  43. 45. Chapter Thirty-Five
  44. 46. Afterword
  45. 48. About the Author
  46. 49. About the Feminist Press
  47. 50. Also Available from the Feminist Press

“Oh, Weezy,” said Tina, genuinely moved, “it’s as if we’ve all come unstuck now that Mother’s not here. It’s as if we won’t even be a family anymore.”

“Families are the assholes of the world.”

“Oh, you’re so cool!” Tina said. “Remember how you used to go around quoting French aphorisms when you were going to Sainte Dominique? Well, as Molière said, there are fagots and fagots—meaning there are families and families, and ours is different.”

“That’s right,” said Weezy. “This family’s all crazy in different degrees.”

“Wait till you’re off wherever you’re going, you’ll miss this to come back to. How can papà leave this beautiful place!”

“It’s too big and it’s too expensive,” Weezy said dryly. “And papà never liked Rome, anyhow. He’ll be happy back in Venice living with zia Lauretta and working on his dramatic poem.”

Tina contemplated her sister. Weezy was pulling the strands of her long hair, twisting her face around to view the ends, to see if they were split. Her hair was lovely and thick, abundant, with warm auburn lights. It was the best thing about her. A cute face, Tina thought, but childish and vague-looking. An Italian girl would have known how to make that face interesting, taking advantage of plainness by becoming clever and using grace instead of beauty to charm.

Weezy the weasel, Tina used to tease her as a child. And there was something weaselly about her, something furtive and secretive that made her father call her his mysterious daughter. Tina thought she knew the type, she had seen it in the States: the dropouts, the superior beings who were above everyone else in sensibility and poetics of the soul, which was all, they said, education was about—certainly not the rote learning and straining after grades and fellowships that Tina was into.

In fact, Weezy played the flute and read the Russians. She was also into real life. That was Weezy’s big thing—that she gloried in real work, sweat, the hard edges of existence, survival. She had worked as apprentice to a bookbinder, as a dishwasher in London, as a grape picker at harvest time in the Marche, and had been a cook in a summer camp for mentally defective youngsters. To be bruised and roughed up by life, to experience it all, that’s what she wanted. To go on long, enlightening wanderings, to keep from being stuck in the academic world. Schools are now what factories were during the Industrial Revolution, she said—dehumanizing. Even if life outside the Ivory Tower was mediocre, she wanted to feel it in its reality.