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Chapters (47)
  1. 1. Cover Page
  2. 2. Title Page
  3. 4. Author’s Note
  4. 5. Dedication
  5. 7. Prologue
  6. 8. Part One: Umbertina 1860 - 1940
  7. 9. Chapter One
  8. 10. Chapter Two
  9. 11. Chapter Three
  10. 12. Chapter Four
  11. 13. Chapter Five
  12. 14. Chapter Six
  13. 15. Chapter Seven
  14. 16. Chapter Eight
  15. 17. Chapter Nine
  16. 18. Chapter Ten
  17. 19. Part Two: Marguerite 1927 – 1973
  18. 20. Chapter Eleven
  19. 21. Chapter Twelve
  20. 22. Chapter Thirteen
  21. 23. Chapter Fourteen
  22. 24. Chapter Fifteen
  23. 25. Chapter Sixteen
  24. 26. Chapter Seventeen
  25. 27. Chapter Eighteen
  26. 28. Chapter Nineteen
  27. 29. Chapter Twenty
  28. 30. Chapter Twenty-One
  29. 31. Chapter Twenty-Two
  30. 32. Chapter Twenty-Three
  31. 33. Part Three: Tina 1950 –
  32. 34. Chapter Twenty-Four
  33. 35. Chapter Twenty-Five
  34. 36. Chapter Twenty-Six
  35. 37. Chapter Twenty-Seven
  36. 38. Chapter Twenty-Eight
  37. 39. Chapter Twenty-Nine
  38. 40. Chapter Thirty
  39. 41. Chapter Thirty-One
  40. 42. Chapter Thirty-Two
  41. 43. Chapter Thirty-Three
  42. 44. Chapter Thirty-Four
  43. 45. Chapter Thirty-Five
  44. 46. Afterword
  45. 48. About the Author
  46. 49. About the Feminist Press
  47. 50. Also Available from the Feminist Press

“Oh, Missy, you’re impossible! That’s what I mean about you—total acceptance.”

“Actually, this is a great place. That crowd of St. Gregory boarders who are always hanging out at the Fontana di Trevi looking for men should know about your terrace!”

“Poor soldiers,” said Tina. “Always on duty and having to salute their stuffed-pants superiors. If I come back in the afternoon around two when the Ministero della Difesa is closing up for the day, there must be twenty thousand generals and admirals streaming down the street with all these poor soldiers going crazy saluting them all. More brass in Italy than in all the NATO countries—or all of Europe. Maybe the world. Then I think, What am I doing in this never-never land where life is like an operetta, where Sophia Loren pays no taxes, and the pope comes out in his white nightgown and capelet to tell people how to vote while they cheer and drop on their knees.

“Or I’ll get on the bus to go someplace, and if I’m standing in a crowd I get dead-handed on the ass by some greaser until I get a seat, and then they’re all trying to look up my skirt or down my shirt. I feel like Weezy when I get back sometimes—I want to throw bombs at the Ministero and join her compagni marching in the streets for the homeless and jobless.

“Then, after three or four days at the most, I get into the rhythm of the place. I go down to the kiosk on the corner to chat with the vendor while I look over the sensational titles of his gossip mags, then I go across the street to the bar for a cappuccino while I read Gente or watch the people go by. I walk up Via Sistina and look in the windows and know nobody knows how to dress or live better than Italian women. Yesterday I saw this woman in a hot pink shirt-and-skirt outfit coming down the street with her little girl; she looked down, noticed something not right with the girl’s headband, took it off, and dropped it in the street while the girl smiled at her. How natural these people are! In three days I could be a romana di Roma; I start dressing differently, eating differently, thinking differently—that’s how easily I’m reabsorbed into this place.”

“And why not, why not?” Missy murmured.

Tina knew why not. Her sense of the illimitable possibilities awaiting her could not stop at the softness and languor of Rome, beneath which, she knew, there were deadly poisons of unrest and discontent. Rome is too old, she thought; nothing matters anymore. In New York everything does.