Back Umbertina
Chapters (47)
  1. 1. Cover Page
  2. 2. Title Page
  3. 4. Author’s Note
  4. 5. Dedication
  5. 7. Prologue
  6. 8. Part One: Umbertina 1860 - 1940
  7. 9. Chapter One
  8. 10. Chapter Two
  9. 11. Chapter Three
  10. 12. Chapter Four
  11. 13. Chapter Five
  12. 14. Chapter Six
  13. 15. Chapter Seven
  14. 16. Chapter Eight
  15. 17. Chapter Nine
  16. 18. Chapter Ten
  17. 19. Part Two: Marguerite 1927 – 1973
  18. 20. Chapter Eleven
  19. 21. Chapter Twelve
  20. 22. Chapter Thirteen
  21. 23. Chapter Fourteen
  22. 24. Chapter Fifteen
  23. 25. Chapter Sixteen
  24. 26. Chapter Seventeen
  25. 27. Chapter Eighteen
  26. 28. Chapter Nineteen
  27. 29. Chapter Twenty
  28. 30. Chapter Twenty-One
  29. 31. Chapter Twenty-Two
  30. 32. Chapter Twenty-Three
  31. 33. Part Three: Tina 1950 –
  32. 34. Chapter Twenty-Four
  33. 35. Chapter Twenty-Five
  34. 36. Chapter Twenty-Six
  35. 37. Chapter Twenty-Seven
  36. 38. Chapter Twenty-Eight
  37. 39. Chapter Twenty-Nine
  38. 40. Chapter Thirty
  39. 41. Chapter Thirty-One
  40. 42. Chapter Thirty-Two
  41. 43. Chapter Thirty-Three
  42. 44. Chapter Thirty-Four
  43. 45. Chapter Thirty-Five
  44. 46. Afterword
  45. 48. About the Author
  46. 49. About the Feminist Press
  47. 50. Also Available from the Feminist Press

“Our summer is over,” Massimo said toward the middle of October. They were gathering dried stalks from among the beach pines at Fregene, and he was cutting her some that ended in feathery plumes.

He set out their program. “I don’t want you at loose ends, missing me and turning sad again when there are no more beach days. While I work, you have to also. At least three or four hours each day on your photos, getting together material for a book and doing research so that you can have it set out in rough form by spring. We’ll see each other the nights you can get out and whatever afternoons I can manage.”

He believed in her project, encouraged her in it: for years she had talked vaguely about photography to Alberto but he had never been much interested, considering it a pastime.

“This time you’ll do it,” said Massimo sternly as they ate grissini and grapefruit from her beach bag. “You’ll do it because I want you to. If you haven’t finished by next spring, you won’t come here with me again. Remember.”

“Blackmail!”

“In between, in your free time, you can work on the translations for me.”

“Jesus! There won’t be time for lovemaking.”

“There’ll be all the holidays—the American ones as well as the Italian.”

“We do spend all our holidays together,” she told him as they went up the stairs to her room, “even if it is only by coincidence.”

“What’s today?”

“Armistice Day. And I’ve got pot to celebrate.”

It was a Sunday afternoon. She brought, carefully wrapped in tissue, the bit of grass that a hippie friend of Tina’s had offered her after being given dinner and a place to sleep one night.

They rolled two joints which they smoked, blowing the smoke into each other’s mouths, dropping sparks, making faces at the dust that gathered on their tongues, and waiting to see what happened.

“Tesoro, this stuff is tea—camomilla” Massimo told her disparagingly. “Either you were given the wrong stuff or everything they say about marijuana is exaggerated like all publicity.”

But they made love, and then again, laughing in the intervals while they stuck close to each other under the blanket.

“Massimo . . .”

“Ummm . . .”

“What are you thinking?”

“I feel very close to you, amore. In more ways, perhaps, than to anyone else I’ve known. I dreamed I was in the Marche being hunted by some kind of secret police and I fled from there to Rome, all the way over rooftops, to your place here. Our place. Because it was the only place I felt safe, and I knew you would take care of me. If you were to go or disappear my days would have no meaning, there’d be this monstrous emptiness; I’d feel lost, unsure, disoriented.”