Back Umbertina
Chapters (47)
  1. 1. Cover Page
  2. 2. Title Page
  3. 4. Author’s Note
  4. 5. Dedication
  5. 7. Prologue
  6. 8. Part One: Umbertina 1860 - 1940
  7. 9. Chapter One
  8. 10. Chapter Two
  9. 11. Chapter Three
  10. 12. Chapter Four
  11. 13. Chapter Five
  12. 14. Chapter Six
  13. 15. Chapter Seven
  14. 16. Chapter Eight
  15. 17. Chapter Nine
  16. 18. Chapter Ten
  17. 19. Part Two: Marguerite 1927 – 1973
  18. 20. Chapter Eleven
  19. 21. Chapter Twelve
  20. 22. Chapter Thirteen
  21. 23. Chapter Fourteen
  22. 24. Chapter Fifteen
  23. 25. Chapter Sixteen
  24. 26. Chapter Seventeen
  25. 27. Chapter Eighteen
  26. 28. Chapter Nineteen
  27. 29. Chapter Twenty
  28. 30. Chapter Twenty-One
  29. 31. Chapter Twenty-Two
  30. 32. Chapter Twenty-Three
  31. 33. Part Three: Tina 1950 –
  32. 34. Chapter Twenty-Four
  33. 35. Chapter Twenty-Five
  34. 36. Chapter Twenty-Six
  35. 37. Chapter Twenty-Seven
  36. 38. Chapter Twenty-Eight
  37. 39. Chapter Twenty-Nine
  38. 40. Chapter Thirty
  39. 41. Chapter Thirty-One
  40. 42. Chapter Thirty-Two
  41. 43. Chapter Thirty-Three
  42. 44. Chapter Thirty-Four
  43. 45. Chapter Thirty-Five
  44. 46. Afterword
  45. 48. About the Author
  46. 49. About the Feminist Press
  47. 50. Also Available from the Feminist Press

Three days of information retrieval. “Now tell me everything you’ve been doing,” says Emily Ordure, “in chronological order. What are your impressions of this country after having been away so long? . . . What do you think of the European mood at this moment? . . . Now just how does Alberto go about his work? . . .” I won’t bare my soul to this correspondent for the alumnae news.

She’s reading Updike’s Couples (“I don’t care much for the characters”) and keeps a persistently open outlook on hippies and the copy of Evergreen Review Tina gave me. “Well, it’s an exchange of ideas, anyway,” says Miss Emily Ordeal of all the turbulence and turmoil, the revolutions and disasters, the violence and vehemence and human waste around us. Oh, Emily Ordway! The world is full of you with your gadgets and efficiency and zeal for self-improvement; with your fridge full of stuff stored in plastic bags and one brownie stowed away in the freezer top and labeled “one brownie”; with your sofa bed set thus, in the middle of the floor, and not next to the wall as I’d prefer it because I might mark the wall, and a lumpy flashlight under the pillow “in case you have to go to the bathroom,” which I won’t. Careful, nut-storing squirrels.

At morning coffee she pumps away, jotting all the names I mention on separate index cards, with brief notes on their work, specialties, outlooks. All followed by “friend of Marguerite.” That’s public relations. I mention Giorgio Corsi: UN diplomat, NYU professor, Italian intellectual, etc., etc. She’s scratching away and I add, “He’s also gay.”

Emily lives in a huge apartment complex just across the street from where the neighborhood turns bad. She blinks lights with a librarian in the facing wing to let each other know they’re all right. An Egyptian tapestry, bought because it was “Scandinavian in feeling,” hangs in her entry; a Siamese fertility mobile of oscillating fish hangs in the living room, chiding her barrenness; wine for meals is measured by the half-glassful and the bottle carefully corked and put away.

I skip out the third day when she’s busy with clients, leaving her $5 for the frozen foods I’ve used and my outlook for the future written on an index card.

I go to Giorgio’s in The Village. He’s appalled to see me, but since for years he’s been telling Alberto and me to consider his place our pad in New York, he takes me in and gives me his studio couch. Lots of tips, too, on people to see for doing translations or other work in Florence.