Back Umbertina
Chapters (47)
  1. 1. Cover Page
  2. 2. Title Page
  3. 4. Author’s Note
  4. 5. Dedication
  5. 7. Prologue
  6. 8. Part One: Umbertina 1860 - 1940
  7. 9. Chapter One
  8. 10. Chapter Two
  9. 11. Chapter Three
  10. 12. Chapter Four
  11. 13. Chapter Five
  12. 14. Chapter Six
  13. 15. Chapter Seven
  14. 16. Chapter Eight
  15. 17. Chapter Nine
  16. 18. Chapter Ten
  17. 19. Part Two: Marguerite 1927 – 1973
  18. 20. Chapter Eleven
  19. 21. Chapter Twelve
  20. 22. Chapter Thirteen
  21. 23. Chapter Fourteen
  22. 24. Chapter Fifteen
  23. 25. Chapter Sixteen
  24. 26. Chapter Seventeen
  25. 27. Chapter Eighteen
  26. 28. Chapter Nineteen
  27. 29. Chapter Twenty
  28. 30. Chapter Twenty-One
  29. 31. Chapter Twenty-Two
  30. 32. Chapter Twenty-Three
  31. 33. Part Three: Tina 1950 –
  32. 34. Chapter Twenty-Four
  33. 35. Chapter Twenty-Five
  34. 36. Chapter Twenty-Six
  35. 37. Chapter Twenty-Seven
  36. 38. Chapter Twenty-Eight
  37. 39. Chapter Twenty-Nine
  38. 40. Chapter Thirty
  39. 41. Chapter Thirty-One
  40. 42. Chapter Thirty-Two
  41. 43. Chapter Thirty-Three
  42. 44. Chapter Thirty-Four
  43. 45. Chapter Thirty-Five
  44. 46. Afterword
  45. 48. About the Author
  46. 49. About the Feminist Press
  47. 50. Also Available from the Feminist Press

“Incredible! A real American answer. You’re going to sacrifice Alberto and your daughters and lose your status as Alberto’s wife for something like integrity or whatever you want to call it. The reason you can do this,” Angela said bitterly, her lips tight, “is because Alberto is so good. You know he’ll be standing there like Jesus with his arms open to take you back when you’ve had enough.”

Her home no longer interested Marguerite. From the outside things looked as they always had. She and Alberto even went out together occasionally; they were waiting until the separation was posted before she left and they gave word to their friends and her family.

One night they dined in Trastevere, invited by a wealthy doctor and his wife who liked to collect writers and artists around themselves.

“It’s a vulgarity . . . an obscenity,” Marguerite was saying to Lalla Fonti among the general conversation.

“What’s that? Pasolini’s new film?” Cesare Servi broke in from across the table. “Did you know he is now known as pipi nazionale—in part for his initials, in part for the signature piss-scenes in each of his films.”

“No, no,” said Lalla, “we’re discussing Alberto’s Catholicism. But maybe it’s political,” she said, turning to Marguerite; “maybe he doesn’t really believe it at all.”

“Oh yes, completely! The works. Whatever he is, he’s not a hypocrite.” (“That Alberto Morosini was not born modern,” the poet Montale had written of him, “is known and accepted and irrelevant. More to the point, however, and more interesting is the fact that he’s never lifted a finger to become so—has remained a poet adrift among men.”)

“Then it’s a question of belief,” said Lalla, “and there’s no explanation for that. But how do you two get on?”

“We don’t anymore,” Marguerite admitted.

“Children,” the doctor at the head of the table was saying loudly, “are an indispensable experience in one’s life, absolutely essential to completing one’s being. Without this experience you cannot be said to have had a complete life.”

It took Marguerite’s breath away to hear this assertion that the childless are only half-beings, have only had half-lives. But, she wanted to cry, if I’ve given up a whole part of my life to make and care for children! How Italian, how male Italian to define life and completion in terms of children!